The Alienist - Caleb Carr [5]
Near the end of Delancey Street, the smells of sea and fresh water, along with the stench of refuse that those who lived near the waterfront simply dumped off the edge of Manhattan every day, mingled to produce the distinctive aroma of that tidal pool we call the East River. A large structure soon slanted up before us: the ramp approach to the nascent Williamsburg Bridge. Without pausing, and much to my dismay, Stevie crashed onto the boarded roadway, the horse’s hooves and carriage wheels clattering far more loudly against wood than they had against stone.
An elaborate maze of steel supports below the roadway bore us dozens of feet up into the night air. As I wondered what our destination could possibly be—for the towers of the bridge were nothing like completed, and the structure’s opening was years away—I began to make out what looked like the walls of a large Chinese temple suddenly looming ahead. Composed of huge granite blocks and crowned by two squat watchtowers, each of which was ringed by a delicate steel walkway, this peculiar edifice was the Manhattan-side anchor of the bridge, the structure that would eventually hold one set of ends of the enormous steel suspension cables that would support the central span. In a way, though, my impression of it as a temple was not far off the mark: like the Brooklyn Bridge, whose Gothic arches I could see silhouetted against the night sky to the south, this new roadway over the East River was a place where many workers’ lives had been sacrificed to the faith of Engineering, which in the past fifteen years had produced towering marvels all over Manhattan. What I did not know was that the blood sacrifice that had been made atop the western anchor of the Williamsburg Bridge on that particular night was of a very different nature.
Near the entrance to the watchtowers atop the anchor, standing under the flimsy light of a few electric bulbs and bearing portable lanterns, were several patrolmen whose small brass insignia marked them as coming from the Thirteenth Precinct (we had passed the station house moments before on Delancey Street). With them was a sergeant from the Fifteenth, a fact that immediately struck me as odd—in two years of covering the criminal beat for the Times, not to mention a childhood in New York, I’d learned that each of the city’s police precincts guarded its terrain jealously. (Indeed, at mid-century the various police factions had openly warred with each other.) For the Thirteenth to have summoned a man from the Fifteenth indicated that something significant was going on.
Stevie finally reined the gelding up near this group of blue greatcoats, then leapt from his seat and took the hard-breathing horse by the bit, leading him to the side of the roadway near an enormous pile of construction materials and tools. The boy eyed the cops with familiar distrust. The sergeant from the Fifteenth Precinct, a tall Irishman whose pasty face was notable only because he did not sport the broad mustache so common to his profession, stepped forward and studied Stevie with a threatening smile.
“That’s little Stevie Taggert, ain’t it?” he said, speaking with a pronounced brogue. “You don’t suppose the commissioner’s called me all this way to box your ears for ya, do ya, Stevie, ya little shit?”
I stepped down from the carriage and approached Stevie, who shot the sergeant a sullen glance. “Pay no mind, Stevie,” I said, as sympathetically as possible. “Stupidity goes with the leather helmet.” The boy smiled a bit. “But I wouldn’t mind your telling me what I’m doing here.”
Stevie nodded to the northern watchtower, then pulled a battered cigarette out of his pocket. “Up there. The doctor says you’re to go up.”
I started for the doorway in the granite wall, but Stevie stayed by the horse. “You’re not coming?”
The boy shuddered and turned away, lighting the cigarette. “I seen it once. And if I never see such again I’ll be done right. When you’re ready to