The Almost Moon - Alice Sebold [35]
I let my shoes and purse fall from my hands. Only a few stars were out. The earth was cold beneath me. “There are children starving in China,” my mother had frequently said to me when I gorged on food.
“That doesn’t mean I’m not hungry,” I whispered now. I thought of her face when I had brought Jake from Wisconsin to meet them. He had been the first, and last, direct challenge to her power. She had welcomed him with a floor show so extreme that it was almost painful to watch. She forced herself to smile and bow and scrape as if he were the lord of the manor and she merely a lowly thing. Why hadn’t I seen the truth? She had a steely resolve that surpassed anything Jake and I might build. Our swizzle-stick empire was so fragile in the end. “The only thing you’ve ever loved is your mother!” he had yelled at me. I had refused this truth, brought my hands up as if to stop a blow.
I knew where my mother was. She was not in the heavenly skies but in her basement, stone-cold dead. I had her braid in my purse to prove it. I forced myself to stare at the sky—unblinking. If she was there, I couldn’t make her out. She could be a dark star behind a cloudy mass, like the tiny tumor that finally comes to kill, but I did not see her, no matter how hard I looked.
I turned onto my side. The final leavings of Hamish drained out of me. I felt spent and oddly whole and ready to sleep. I thought of the platform I was scheduled to mount later that day and the pose I was meant to strike. I was in the fourth week of sitting for Tanner Haku’s Life Drawing class. I had, until the day before, been working out in front of the mirror with small weights and doing yoga even more diligently in order to keep my muscles teeming just below my skin. I knew that was what Haku wanted, and I knew adapting to the teacher’s wishes was the linchpin of life modeling. Not just striking the pose but understanding what amount of physicality he or she wanted you most to bring. Natalie was having her usual cream-cheese-and-bagels semester, as the instructor she was perpetually assigned to was a faux Lucian Freud. He wanted rolls of fat and body hair and a good patch of scarred or rash-strewn skin.
“Slump!” he would command.
Modeling had been something I’d talked her into. She had been reluctant at first, self-conscious of her body, but it had led to a part-time job in the bursar’s office, and now she balanced the two.
I pushed myself up off the ground and stood, gathering my shoes and purse and finding my keys with the trusty flashlight attached. This, like the cell phone, had been another mother-inspired gift. I had often approached the mall like a sergeant arming a battalion. Mother and I would have cell phones. Mother and I would have flashlight key chains. Mother and I would have new stainless-steel teakettles, down-filled pillows, Scotchgarded all-canvas slipcovers. If. Then. If we shared X, then all would be ready and steady and right. When I inserted the key in the lock of my door, I saw my own epitaph: SHE LIVED SOMEBODY ELSE’S LIFE.
Years ago, when I began to feel overwhelmed by having to care for my mother, I started to dispose of small items throughout my house. Perhaps that’s why I wouldn’t have blamed Mrs. Castle if she had stolen the Pigeon Forge bowl. In some sense, after all she’d done, I’d more than once felt like opening my mother’s jewelry box and saying, “Help yourself.” Unfortunately, young Manny of the condom had already done that, a fact I had successfully kept hidden from everyone.
I took my coat off and let it drop to the flagstone floor instead of hanging it up. In contrast to my mother’s house, I always kept at least one window open, even as it grew cooler. I liked the feeling of air constantly coming in to refresh the rooms. I walked to the shelf in the living room, and between the Virginia Woolf and the Vivian Gornick (I file my authors on a first-name basis),