The Almost Moon - Alice Sebold [72]
I had always found this pose awkward. It forced me to look toward my armpit and made me all too aware of my own body. As the years went by, I could see more sunspots on my chest and shoulders, and the resilient skin with which I had been blessed had slackened no matter what inverted poses I was able to do in yoga. Flexibility did not, in the end, trump gravity. I lived on the borderline between a Venus just holding it together and Whistler’s mother in the buff. I thought suddenly, as the dry sea sponge scraped against the tender skin of my armpit, that if I were less flexible, less in shape, I would not have been able to commit either of the crimes of which I now stood guilty. Lifting and hauling my mother would not have been possible. Being attractive to Hamish, unthinkable.
“Helen?” I heard Tanner say. He stood close to the platform. I could smell the garlic capsules he took every day.
“Yes?” I did not break my pose.
“You seem to be shaking. Are you cold?”
“No.”
“Focus,” he said. “Two more on this one,” he announced to the class.
Five years ago and very late at night, Tanner had wanted to draw the skeleton of a rabbit he’d seen in a dusty showcase of the old Krause Biology Building. He had taken me to an art opening, and the evening had ended with us stumbling around without a flashlight in a building that had yet to be renovated. We found many a display case but not the right one, and we had frozen like misbehaving children when we heard the creak of the exit door below us, and Cecil, the elderly security guard, calling into the darkness, “Is anyone there?”
During the renovation of Krause the following year, I walked by and saw bones sticking up out of a Dumpster. Not caring who might see me, I hiked my skirt up and climbed onto some cinder blocks that had been lowered by crane and were still bundled in steel ribbons, so I could see inside the Dumpster. There lay the rabbit skeleton on its side.
It sat now, as pristine as I could have hoped, as the centerpiece of a collection of found objects that Tanner had placed on the long, high windowsill that ran the length of the room. It was the first thing I saw sometimes when I entered the space—the delicate bones of the rabbit next to rocks of various shapes and sizes, a God’s eye made by a student’s child, and an endless collection of sea glass he picked up on his solo journeys to the Jersey Shore.
Now I felt the menacing bones of this rabbit behind me and could not strike the image of my mother rotting in layers until she too was bone. There was something in the idea of it, this slow molting toward yellowed calcium that must be pinned together to prevent collapse, that I found both frightening and comforting. The idea that my mother was eternal like the moon. I wanted to laugh in my awkward pose at the inescapable nature of it. Dead or alive, a mother or the lack of a mother shaped one’s whole life. Had I thought it would be simple? That her substance, demolished, would equal myself avenged? I had made her laugh by playing the fool. I told her stories. I paraded around as a fool at the mercy of other fools, and by doing this I guaranteed that she did not miss anything by choosing to turn her back on the outside world.
By giving up my life to her on a global basis, I bought small moments away. I could read the books I liked. I could grow the flowers I wished. I could drive to Westmore and stand nude on a platform. Only by thinking I had freedom had I come to understand how imprisoned I was.
“Change!” Haku barked. I could hear in his tone an admonition to work harder on my pose.
A godsend, this one, after the awkwardness of the last. I sat down sideways on the chair, knowing that the students would have to imagine the edge of the tub beneath me.