The Almost Moon - Alice Sebold [99]
“Yes. Vanguard, okay?”
“I’ll be there.”
I hung up. The voices in the restaurant area behind me grew louder.
I did not turn but proceeded down the back hall toward the “Heifers” and “Bulls” rooms, as if it weren’t clear by a bit of translation that this meant women were cows. The back door was propped open with an ancient gray milk crate turned on its side. Carefully, I stepped over it, opening the door only a little further to squeeze past. There were a few beat-up cars parked at odd angles in back—The kitchen staff, I thought—and a Dumpster on the edge of the lot before it turned to grass and trees. As I climbed up the hill out back, I saw a large paper sack on top of the Dumpster. The top was open. Inside were rolls of bread, perhaps a day old. I thought for the first time, How will I live? and saw myself in a month, two months from now, grabbing a bag like this and ferreting it away.
I paused at the edge of the trees. I saw Sarah, marking off days on a calendar and living in my house alone, waiting for me to come home from a prison term for manslaughter or accidental death. She would need work, and my job would be open. Perhaps Natalie would drive her that first day. The students would be pleased—new meat—and she could talk to Gerald on her breaks. “My mother died,” he’d say. “My mother rolled a decade,” she’d say. I knew Sarah well enough to know she’d love the lingo—a paltry consolation prize.
But none of this was the picture in my mind that scared me most. What scared me was the one where I was home again, where Sarah and I lived together, where she ran errands and massaged my feet while they sat begging on a leather ottoman. She’d bring me broths in bed and draw a shawl over my shoulders, rub at the caked-on food at the corner of my mouth with a damp cloth. And I would begin to forget her, to scream at her, to say cruel things about her body and her love life and her brain.
I bushwhacked through the trees along the property line and entered a patch of roadway forest. The ground was strewn with litter as I cut farther in, beer cans and condoms being the trash du jour, and I winced each time I accidentally stepped on them.
I had forgotten the red hair ribbon on the porch, leaving it to Bad Boy to have his fun with, and my fingerprints were on every surface of the kitchen. How many children bathed their mothers on the floor, sliced their clothes off with scissors, or quite literally dragged them outside to get fresh air? There would be no evidence of Manny Zavros anywhere.
On the arm of my desk lamp at home, I had hung a ribbon from my mother’s hair. It too was red. But there were other ribbons, as well as a magnetic cat, a Mexican Day-of-the-Dead skull, a snail figurine, and the felt Christmas ornament my mother had sent. Why would any one thing in my home draw more attention than another?
I had not squirted the bleach into the toilet that morning. The hair from her braid might still cling there—might have scattered, unbeknownst to me, across the tiles of the bathroom floor. Would it have a time-and-date stamp if examined in a lab?
I reached Elm. Traffic was intermittent on the back roads, and I waited for my moment to rush out of the trees and across to the other side—ducking into another patch of abandoned forest.
The police could easily discover enough evidence. And if faced with direct questions, I knew I would tell the truth. Either way, when I thought of returning home with Sarah, I could see only one destiny, and it was hers, not mine.
I reached the place where I would have to scramble down a steep embankment in order to meet Hamish. I looked down the gravelly berm that they had built on all three sides of Vanguard. More than anything, the place itself looked like a high-voltage electrical plant. In the lot below, separated from the berm by a high metal fence, was a row of shiny black SUVs—top-of-the-line. I would pass within a whisper of them.
I took precautions not to injure myself, descending the steep slope from a seated position, crawling like a