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The American Way of Death Revisited - Jessica Mitford [138]

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that prearranging a funeral protects the family against sentimental overspending. Yes, there are funeral directors who go further than the most critical writers when they tell the world through their ads and brochures that the family must be protected against itself during the emotionally difficult funeral period.”

The NFDA’s line was essentially to hold fast, to refuse to have anything to do with the memorial societies, and above all to maintain price levels based on the Foran concept of “overhead per case.” There are others who saw it differently. Mr. Wilber Krieger of National Selected Morticians, while yielding to none in his opposition to the funeral societies, thought that the industry had brought this development on itself by its lack of flexibility in “serving people as they wish to be served” and by its failure to meet a growing demand for prearranged and prefinanced funerals. In an address to the selected ones, he said, “Please don’t go out and start shouting before the world, ‘My cost per funeral is XXX dollars.’ Who cares? More funeral directors do more damage in the public mind by talking all the time about this cost-per-funeral fallacy. Who cares about your costs?… I am greatly disturbed at what I am seeing across the country.…”

If the funeral industry was astir over the Post article, no less so were the funeral societies—and particularly the Bay Area Funeral Society. The board members had naturally been pleased that the society was to be the subject of a national magazine article, and had expected there would be some response from readers. But they were completely unprepared for what followed. The headquarters of the society, consisting of a desk and telephone in the building of the Berkeley Consumers Cooperative, was inundated with letters which poured in at the rate of a thousand a week. Volunteer crews were hastily assembled to help with the huge job of answering the letters and processing applications for membership. The editor of The Saturday Evening Post reported an equally astonishing flood of letters to the magazine. He commented, “The article seems to have touched a sensitive nerve.” The three members of the Bay Area Society who were mentioned by name in the Post, Dr. Josiah Bartlett, Professor Griswold Morley, and I, received several hundred letters apiece within the first few weeks; more than a year later, letters were still arriving, sometimes apologetically prefaced, “I only just read ‘Can You Afford to Die?’ in an old copy of the Post at my barber’s.…”

Even more surprising than the quantity of letters was their quality. Those who are by the nature of their work on the receiving end of letters from the general public—newspaper editors, radio commentators and the like—have told me that a good percentage of the letter writers are crackpots of some kind, that all too seldom does the solid citizen trouble himself to set down his views on paper. The opposite was true of these letters. In tone, they ran the gamut, some bitter, some funny, some reflective; but they were almost without exception intelligent—in many cases deeply thought out—comments on a subject about which the writers obviously felt most strongly. They were indeed evidence of a widespread public revulsion against modern funerary practices, the extent of which even the funeral society advocates had never fully realized. Another extraordinary thing about the hundreds of letters I received was that only one took the side of the funeral industry. It was full of invective, it bore no name, it was signed simply “An American Funeral Director.” The Bay Area Funeral Society reported but three hostile letters out of the first eleven hundred.

Some of our correspondents had long since taken matters into their own hands. It seems that a variety of ingenious solutions to the problem were being tried. We learned of the “plain coffin” offered by the St. Leo Shop in Newport, Rhode Island: “For those who would not like to be caught dead in a plush-lined coffin, we offer the traditional plain box of pine, cedar or mahogany, with strong rope handles.

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