The Angel of Darkness - Caleb Carr [176]
“All this way,” the Doctor interrupted, giving a meaningful smile to Mr. Picton that said he’d take it from here, “to see your drawings.” He knelt down to look her in the face. “You like to draw very much, don’t you, Clara?”
The girl nodded; but it was much more than just a nod, we could all see that. It was a kind of request, too: a wish, you might say, that the Doctor would ask her more. And the funny thing was that, though Cyrus and I were continuing to stand back, we understood the moment better than either the Westons or Mr. Picton did: for we’d seen the Doctor use the trick on many other kids at his Institute. Drawing, painting, molding clay, they were all some of the quickest ways to get a little girl or boy who’d survived something that they plain and simple couldn’t speak about to begin to communicate. That was why the Doctor kept so many kinds of artistic materials in his consulting room at the Institute.
“Yes, I thought you might,” the Doctor went on, slowly lifting a finger to point at Clara’s clenched little fist. “Because you have so many pencils. But no colored pencils.” He put on a troubled look, then brightened. “Did you know that there are such things as colored pencils, Clara?”
The light brown eyes went very big, and Clara shook her head to make it pretty obvious that, though she hadn’t known there were such things, she’d certainly like to have some.
“Oh, yes. All the colors you can imagine,” the Doctor answered. “Tomorrow I’ll bring you some from town—because you really do need colored pencils to draw things as they actually are, don’t you?” Clara nodded. “My friends and I sometimes draw, too,” the Doctor said, indicating Cyrus and me. “Would you like to meet them?” More nods followed, and then the Doctor signaled us over. “This is my friend Stevie,” he said, pointing to me.
“Hey, Clara,” I said, smiling down at her. “Does your friend draw, too?” I pointed at her doll, to which Clara shook her head hard and thumped her pencils against her chest. “Oh, I get it—drawing’s your game. Let her find her own way to have fun.” Clara’s shoulders began to move up and down; and then a scratchy sound what could’ve passed for a small laugh got out of her throat.
Finally, it was time for the big test: the Doctor pointed at Cyrus. “And this is my friend Mr. Montrose,” he said.
For about fifteen seconds, Clara stared up at Cyrus with a face what was plain impossible to read. Something was going on in that head of hers, that much was clear—and while none of us could yet say just what said thing was, it was obvious from the way that Clara stood her ground calmly that it was not terror. But It should have been: if any piece of Libby Hatch’s complicated story was true, if anything like the infamous attack by the mysterious black man out on the Charlton road really had happened, then when that little girl looked up at Cyrus, she should’ve taken off for the Hills, or at the least for the safety of her foster mother’s skirts.
But she didn’t.
Finally Cyrus smiled kindly and bowed. “Hello, Clara,” he said, his voice sounding especially deep and soothing. “You know, when I was a little boy, I drew a picture of a wonderful house.” He knelt down to look into her eyes. “And do you know what the strange part of it is?” Clara studied Cyrus’s face hard and then shook her head slowly. “The strange part is that I live in that house now—it’s the Doctor’s house.” Clara pondered that for a few more seconds; then she held her drawing pad up to Cyrus.
On it was scratched a rough picture of the Westons’ farmhouse. Cyrus grinned, and Clara once again let that strange little noise out of her throat. “Well, well,” Cyrus said quietly. “So it’s happened to you, too.”
None of us