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The Angel of Darkness - Caleb Carr [201]

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to Stillwater than we were to Ballston Spa (though we were a good distance from both places), we’d keep heading south and try to at least begin our second assignment of the day.

By the time we pulled into Stillwater, the sun was setting on the small town, which didn’t consist of a whole lot more than a couple of industrial works on the river and several blocks of houses running inland from the waterfront. The town was considerably more depressing than most of the places we’d seen in the area: it was tough to say just what those factories produced, but there was a general feel of dirtiness and degradation all over the village, of the variety what was usually associated with bigger cities. Even the Hudson, usually clear and inviting this far north, seemed to bear a film of filth in this stretch of its run. The fact that nobody was out on the streets didn’t do much to improve the cold, forbidding air of the town; and as the sun began to set much faster very soon after our arrival, both Miss Howard and I began to wonder out loud if we’d made the right decision about which way to turn after getting our wheel fixed. Of course, the fact that we knew Libby Hatch had once lived in this dismal little backwater didn’t improve our impression of it any, either.

I drew the buckboard to a halt in a spot what looked like it might be the center of town (though there was still not a soul to be seen), and then we got down and started to wander about, figuring that eventually we’d bump into someone who could tell us something about the place. Finally, after failing to spot any activity for some ten minutes, we heard a door open across the street from one of the riverfront factories, and saw a man come out of one of the small, shacklike houses what lined the block. Miss Howard called, “Excuse me?” to this character, at which all of his heavy, six-foot frame seemed to jump about a foot into the air. We walked quickly over to where he was standing, and as we got nearer he looked around anxiously and straightened himself up a bit, like maybe he thought we were either the law or religious types.

“Excuse me,” Miss Howard said again as we reached the man, “but we’re looking for some information about someone who used to live here. Is there anyone we could talk to? I know it’s late, but—”

“They’ll be down to the tavern,” the man answered quickly, taking a couple of steps back from us. “Anyone who ain’t home, that is. They’ll all be down there.” He nodded at the general area near the riverfront some three or four blocks behind us.

“Oh.” Miss Howard turned to try to locate the tavern the man was talking about, then nodded. “I see …” She turned back round again. “I don’t suppose you could help us, by any chance? It was a long time ago, so—”

“I been here my whole life, ma’am,” the man said. “If it was someone who lived in this town, I’ll know better than those dagos and micks who’ve come up to work the mills.”

Miss Howard paused, studying the man and then smiling just a bit. “I see. Well, then—we’re looking for information about a woman. When she lived here, her name was Libby Fraser, although since then—”

“Libby Fraser?” The man’s face did an odd little dance: in quick, panicky ripples it went from shock to fear and finally to hatred. “What the hell d’you wanna know about her for?”

“Well, you see, we’re involved in an investigation—”

“Ain’t nobody that’s going to want to talk to you about Libby Fraser. Not in this town. Ain’t nobody that’s got nothing to say.” The man’s eyes stared out from his dirty face like he was getting more scared and angry by the second. “Understand? Nobody. She went away from here a long time ago. You want to ask questions about Libby Fraser, you find out where she went after she left and go there.” He spat into the dusty street. “That’d be the smart thing to do.” Tucking his shirt into his pants more tightly as if to make it clear that he was serious, the man turned—and walked straight back into the house he’d just come out of.

Both Miss Howard and I watched him go with what you might call blank faces. “Well,” Miss

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