The Aquariums of Pyongyang_ Ten Years in the North Korean Gulag - Chol-hwan Kang [99]
I found the journalist from the newspaper Hangyore particularly irritating. What place did his skepticism leave for the victims? Millions of people were dying or suffering from hunger, an entire population was being deprived of its freedom, and his only concern was our credibility. We had risked our lives in fleeing. We had risked them in the camp. What more did we need to prove? The security agents never whispered a single word in our ears. When I had asked them for advice about how to conduct myself during the press conference, one of them suggested that I say whatever I feel—“only you may not want to tell them everything,” he added, “or they might not believe you.” We were anything but manipulated. The skepticism and insinuations of our interviewers left An-hyuk deeply shaken. He and a couple of the agents had tears in their eyes; this wasn’t looking anything like a press conference rigged for propaganda purposes. Even some of the journalists were moved.
I decided to speak.
“If you don’t want to believe us, go to the North! Do you think we risked our lives so we could come here and lie?”
A huge crowd was at the press conference. Never in my life had I spoken in front of so many people. Nonplussed by all the cameras and lights, I expressed only a fraction of what I wanted to. The next day, our story was in all the papers. The television and radio stations called us for interviews, and the Japanese and American press were interested. In time we got use to telling our story. Yet by repeating it so often, I occasionally felt I was trading my experience for a story that was no longer entirely my own.
TWENTY-TWO
ADAPTING TO A CAPITALIST WORLD
After our debriefing had wrapped up, we sat around waiting for someone to tell us what we should do next. Were we supposed to work? Could we go back to school? Boredom began setting in. The agents offered to rent us some videocassettes.
“Do you want action movies,” they asked, “or erotic movies?”
“What are erotic movies?”
They explained that erotic movies were basically softcore porn, hardcore being illegal in South Korea. We opted for the erotic films—four in a row! One night seemed too short a time to make up for a lifetime of North Korean prudishness. We had entered a fairyland. We couldn’t believe our eyes: What actors would play these roles? How could they get naked in front of the camera? We recalled the charges of debauchery we had heard leveled against the South. It was said, for example, that the Ehwa women’s university was less a school for young women than for prostitutes, and that these harlots actually slept—supreme act of debauchery—with American soldiers! In North Korea, it is unimaginable that a man should try to seduce a woman. Romantic adventures are unthinkable. And not only in the movies—in real life, too, the man is supposed to take the initiative in the most direct manner possible. Courtship is seen as a remnant of a bygone era, and love is never a real concern! Yet for all that, it is considered normal for a man to force a woman