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The Argonautica [2]

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many examples of isolated uses, but his choice of words is by no means limited to Homer. He freely avails himself of Alexandrian words and late uses of Homeric words. Among his contemporaries Apollonius suffers from a comparison with Theocritus, who was a little his senior, but he was much admired by Roman writers who derived inspiration from the great classical writers of Greece by way of Alexandria. In fact Alexandria was a useful bridge between Athens and Rome. The "Argonautica" was translated by Varro Atacinus, copied by Ovid and Virgil, and minutely studied by Valerius Flaccus in his poem of the same name. Some of his finest passages have been appropriated and improved upon by Virgil by the divine right of superior genius. (4) The subject of love had been treated in the romantic spirit before the time of Apollonius in writings that have perished, for instance, in those of Antimachus of Colophon, but the "Argonautica" is perhaps the first poem still extant in which the expression of this spirit is developed with elaboration. The Medea of Apollonius is the direct precursor of the Dido of Virgil, and it is the pathos and passion of the fourth book of the "Aeneid" that keep alive many a passage of Apollonius.


ENDNOTES: (1) "Or of Naucratis", according to Aelian and Athenaeus. (2) Anth. Pal. xl. 275. (3) iii. 117-124. (4) e.g. compare "Aen." iv. 305 foll. with Ap. Rh. iv. 355 foll.; "Aen." iv. 327-330 with Ap. Rh. I. 897, 898; "Aen." iv. 522 foll., with Ap. Rh. iii. 744 foll.



THE ARGONAUTICA

BOOK I

(ll. 1-4) Beginning with thee, O Phoebus, I will recount the famous deeds of men of old, who, at the behest of King Pelias, down through the mouth of Pontus and between the Cyanean rocks, sped well-benched Argo in quest of the golden fleece.

(ll. 5-17) Such was the oracle that Pelias heard, that a hateful doom awaited him to be slain at the prompting of the man whom he should see coming forth from the people with but one sandal. And no long time after, in accordance with that true report, Jason crossed the stream of wintry Anaurus on foot, and saved one sandal from the mire, but the other he left in the depths held back by the flood. And straightway he came to Pelias to share the banquet which the king was offering to his father Poseidon and the rest of the gods, though he paid no honour to Pelasgian Hera. Quickly the king saw him and pondered, and devised for him the toil of a troublous voyage, in order that on the sea or among strangers he might lose his home-return.

(ll. 18-22) The ship, as former bards relate, Argus wrought by the guidance of Athena. But now I will tell the lineage and the names of the heroes, and of the long sea-paths and the deeds they wrought in their wanderings; may the Muses be the inspirers of my song!

(ll. 23-34) First then let us name Orpheus whom once Calliope bare, it is said, wedded to Thracian Oeagrus, near the Pimpleian height. Men say that he by the music of his songs charmed the stubborn rocks upon the mountains and the course of rivers. And the wild oak-trees to this day, tokens of that magic strain, that grow at Zone on the Thracian shore, stand in ordered ranks close together, the same which under the charm of his lyre he led down from Pieria. Such then was Orpheus whom Aeson's son welcomed to share his toils, in obedience to the behest of Cheiron, Orpheus ruler of Bistonian Pieria.

(ll. 35-39) Straightway came Asterion, whom Cometes begat by the waters of eddying Apidanus; he dwelt at Peiresiae near the Phylleian mount, where mighty Apidanus and bright Enipeus join their streams, coming together from afar.

(ll. 40-44) Next to them from Larisa came Polyphemus, son of Eilatus, who aforetime among the mighty Lapithae, when they were arming themselves against the Centaurs, fought in his younger days; now his limbs were grown heavy with age, but his martial spirit still remained, even as of old.

(ll. 45-48) Nor was Iphiclus long left behind in Phylace, the uncle of Aeson's son; for Aeson had wedded his sister Alcimede, daughter
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