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Gould, Stephen Jay, and Richard C. Lewontin. (1979). “The Spandrels of San Marco and the Panglossian Paradigm: A Critique of the Adaptationist

Programme.” Proceedings of the Royal Society of London 205:281–88.

Guthrie, R. Dale. (2005). The Nature of Paleolithic Art. Chicago: University Chicago Press.

Hansen, Brian. (1998). “Height-To-Head Ratio as a Marker of Status in Idealized Repre sentations of Adult Human.” Presentation to the Human Repre sentations of Adult Human.” Presentation to the Human Behavior and Evolution Society. Davis, California, July 11.

Hart, Lynn M. (1995). “Three Walls: Regional Aesthetics and the International Art World,” in The Traffic in Culture: Refiguring Art and Anthropology, George E. Marcus and Fred R. Myers. Berkeley: University of California George E. Marcus and Fred R. Myers. Berkeley: University of California Press.

Hassan, Ihab. (2006). “Postmodernism? A Self-Interview.” Philosophy and Literature Hebborn, Eric. (1993). Drawn to Trouble. New York: Random House.

Hogan, Patrick Colm. (2003). The Mind and Its Stories: Narrative Universals and Human Emotions. Cambridge: Cambridge University Press.

Humble, P. N. (1982). “Duchamp’s Readymades: Art and Anti-art.” British Journal of Aesthetics 22:52–64.

Huron, David. (2006). Sweet Anticipation: Music and the Psychology of Expectation. Cambridge: MIT Press. Cambridge: MIT Press.

Immanuel. (1987). Critique of Judgment. Trans. Werner S. Pluhar. Indianapolis: Hackett.

Kaplan, Stephen. (1992). “Environmental Preference in a Knowledge-Seeking, Knowledge-Using Organism,” in Barkow et al. (1992).

Kaplan, Stephen, and Rachel Kaplan. (1982). Cognition and Environment: Functioning in an Uncertain World. New York: Praeger.

Koestler, Arthur. (1955). “The Anatomy of Snobbery.” Anchor Review 1:1–25. 1:1– Kohn, Marek. (1999). As We Know It: Coming to Terms with an Evolved As We Know It: Coming to Terms with an Evolved Mind. London: Granta Books.

Korsmeyer, Carolyn. (1999). Making Sense of Taste: Food and Philosophy. Ithaca: Cornell University Press.

Kuhn, Thomas S. (1962). The Structure of Scientific Revolutions. Chicago: of Chicago Press.

Kulka, Tomas. (1996). Kitsch and Art. University Park: Pennsylvania State Press.

Kundera, Milan. (1984). The Unbearable Lightness of Being. Trans. Michael Henry Heim. New York: Harper & Row.

Lamarque, Peter. (2009). The Philosophy of Literature. Oxford: Blackwell.

Lenain, Thierry. (1997). Monkey Painting. London: Reaktion Books.

———. (1999). “Animal Aesthetics and Human Art,” in Bedaux and Cooke (1999).

Leslie, A. (1987). “Pretense and Repre sentation: The Origins of ‘Theory Mind,’ ” Psychological Review 94:412–26.

Levinson, Jerrold. (1990). “Defining Art Historically,” in Music, Art, and Metaphysics. . Ithaca: Cornell University Press.

Lloyd, Elisabeth A. (2005). The Case of the Female Orgasm: Bias in the Science Evolution. Cambridge: Harvard University Press.

Lopez, Jonathan. (2008). The Man Who Made Vermeers: Unvarnishing the Legend of Master Forger Han van Meegeren. New York: Harcourt.

Martindale, Colin. (1990). The Clockwork Muse: The Predictability of Artistic Change. New York: Basic Books.

Mead, Margaret. (1949). Male and Female: A Study of the Sexes in a Changing World. New York: William Morrow.

Meyer, Leonard B. (1983). “Forgery and the Anthropology of Art,” in Dutton (1983).

Miller, Alan S., and Satoshi Kanazawa. (2007). Why Beautiful People Have More Daughters. New York: Penguin/Perigee.

Miller, Geoffrey F. (2000). The Mating Mind: How Sexual Choice Shaped Evolution of Human Nature. New York: Doubleday.

———. (2001). “Aesthetic Fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator and Aesthetic Preferences as Mate Choice Criteria.” Bulletin of Psychology and the Arts 2.1:20–25.

———. (2003) “Fear of Fitness Indicators: How to Deal with Our Ideological Anxieties About the Role of Sexual Selection in the Origins of Human Culture,” in Being Human. Wellington: Royal Society of New Zealand.

Mills, John FitzMaurice, and John M. Mansfield.