The Art of Fielding_ A Novel - Chad Harbach [5]
It’s a miracle, Henry thought. Mike Schwartz works miracles. After that, he continued to talk to Schwartz on the phone every night, making plans, working out details—but now he did so openly, in the family room, and his dad hovered nearby, the TV on mute, cigarette going, eavesdropping and shouting out comments. Sometimes Schwartz would ask to talk to Jim. Henry would hand his dad the phone, and his dad would sit down at his desk and go over the Skrimshanders’ tax returns.
“Thanks,” Henry said into the phone, feeling sentimental, on the day he bought his bus ticket. “Thank you.”
“Don’t sweat it, Skrim,” Schwartz said. “It’s football season, and I’m going to be busy. You settle in. I’ll be in touch, okay?”
“PHUMBER 405,” said the smiling woman. She thrust a key and a paper map into his hand, pointed to the left. “Small Quad.”
Henry slipped through a cool aperture between two buildings and emerged on a bright, bustling scene. This wasn’t Lankton CC: this was college in a movie. The buildings matched—each four or five stories high and made of squat gray weather-beaten stone, with deep-set windows and peaked, gabled roofs. The bike racks and benches were freshly painted navy. Two tall guys in shorts and flip-flops staggered toward an open doorway beneath the weight of a gigantic flat-screen TV. A squirrel tore down out of a tree and bumped against the leg of the guy walking backward—he screamed and dropped to his knees, and the corner of the TV sank into the plush new sod. The other guy laughed. The squirrel was long gone. From an upper window somewhere drifted the sound of a violin.
Henry found Phumber Hall and climbed the stairs to the top floor. The door marked 405 stood slightly ajar, and bleepy, bloopy music came through the gap. Henry lingered nervously in the stairwell. He didn’t know how many roommates he’d have, or what sort of roommates they might be, or what kind of music that was. If he’d been able to imagine the students of Westish College in any specific way, he imagined twelve hundred Mike Schwartzes, huge and mythic and grave, and twelve hundred women of the sort Mike Schwartz might date: leggy, stunning, well versed in ancient history. The whole thing, really, was too intimidating to think about. He nudged the door with his foot.
The room contained two identical steel-frame beds and two sets of identical blond-wood desks, chairs, dressers, and bookshelves. One of the beds was neatly made, with a plush seafoam-green comforter and a wealth of fluffy pillows. The other mattress was bare but for an ugly ocher stain in roughly the size and shape of a person. Both bookshelves had already been neatly filled, the books arranged by author name from Achebe through Tocqueville, with the rest of the Ts through Z piled on the mantel. Henry plunked his bags down on the ocher stain and drew his beat-up copy of Aparicio Rodriguez’s The Art of Fielding out of his shorts’ pocket. The Art was the only book he’d brought with him, the only book Henry knew deeply: suddenly it seemed like this might be a terrible flaw. He prepared to wedge it between Rochefoucauld and Roethke, but lo and behold there was already a copy there, a handsome hardcover with a once-cracked spine. Henry slid it out, turned it in his hands. Inscribed on the flyleaf, in a lovely calligraphic hand, were the words Owen Dunne.
Henry had been reading Aparicio on the overnight bus. Or at least he’d kept the book open on his lap as the dreary slabs of interstate rolled by. By this point in his life, reading Aparicio no longer really qualified as reading, because he had the book more or less memorized. He could flip to a chapter, any chapter, and the shapes of the short, numbered paragraphs were enough to trigger his memory. His lips murmured the words as his eyes, unfocused,