The Art of Fielding_ A Novel - Chad Harbach [7]
“I’ve dabbled in the game,” Owen said, and added somewhat mysteriously, “But not like you.”
“What do you mean?”
“Last week I received a call from President Affenlight. Are you familiar with his Sperm-Squeezers?”
Henry was not. Owen nodded sympathetically. “Not surprising,” he said. “It doesn’t have much academic traction these days, though it was a seminal—ha!—work in its field. It was a great inspiration to me when I was fourteen, fifteen years old. Anyway, President Affenlight phoned me at my mother’s house in San Jose and said that a student of considerable talents had been added to the freshperson class, and that though this was excellent news for the college as a whole, it posed a dilemma for the Housing office. Since I was the only member of the class with a single room, he wondered if I might be willing to forgo one of my scholarship’s privileges and take on a roommate.
“Affenlight’s a smooth talker,” Owen continued. “He spoke so highly of you, and of the more abstract virtues of roommatehood, that I almost forgot to negotiate. Frankly, I find the professionalization of collegiate sport to be a rather despicable phenomenon. But if the administration was willing to buy me that”—he pointed a yellow-gloved finger at the sleek computer that sat atop his desk—“and to throw in a handsome book allowance just to persuade me to live with you, then you must be quite a ballplayer. I’d be honored to throw the ball around sometime.”
“They’re giving you money to be my roommate?” Henry asked, so incredulous and confused that he barely registered Owen’s offer. What could Mike Schwartz have possibly said or done to produce a situation in which the president of Westish called people on the phone and spoke highly of him? “Would it be rude… I mean… do you mind if I ask…?”
Owen shrugged. “Probably nowhere near what they’re paying you. But enough to buy that rug out there, which is an expensive rug, so please do not put your shoes on it. And enough to keep me in high-quality marijuana for the year. Well, maybe for the semester. Till Halloween, at least.”
After that first encounter, Henry scarcely saw Owen. Most afternoons Owen would sweep into the room, remove certain notebooks from his satchel and replace them with certain other notebooks, or remove his handsome gray sweater and replace it with his handsome red sweater, and then sweep back out again with a word: “Rehearsal.” “Protest.” “Date.” Henry would nod and, for however many seconds Owen was in the room, devote himself deeply to whatever assignment lay open in front of him, so as not to seem entirely useless and adrift.
The date was with Jason Gomes, a senior who starred in all of the campus plays. Before long Owen’s notebooks and sweaters had migrated to Jason’s room. In the mornings, as Henry walked to class, he would see them reading together at the campus coffee shop, Café Oo, Jason’s hand laid atop Owen’s as they lingered over their espresso and their books, some of whose titles were French. At dinnertime, as Henry sat alone in a dim alcove of the dining hall, trying to look both inconspicuous and content, Owen and Jason would wander in, gather fruit and crackers to sustain them through rehearsals, and wander back out again. After midnight, as Henry drew the shades to go to sleep, he would see them sharing a joint on the opposite stoop, Owen’s head tipped sideways to rest on his lover’s shoulder. They didn’t need to bother with food or sleep, or so it seemed to Henry: they were too busy, too happy, for such trivial concerns. Owen had written a three-act play, “a kind of neo-Marxian Macbeth set in an open-plan office,” as he once described it, and Jason was playing the lead.
On a couple of weekends that fall, Jason drove home to Chicago or some suburb thereof. For Henry these weekends were a source of relief and joy. He had a friend, at least till Sunday night. Owen would spend the morning reading and drinking tea in his plaid pajamas, sometimes smoking a joint or staring idly at the face of his silent BlackBerry,