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The Art of Making Money - Jason Kersten [55]

By Root 773 0
in front of a light source, and the strip appears as a vertical line, with “USA,” the denomination, and an American flag running its length. Made of a 1.4mm-wide polyester thread, the strip is embedded in the bill and invisible unless it’s backlit. It foils counterfeiters who use copiers because the flash bulb exposes the strip, leaving a jarring black line across the copy. If exposed to ultraviolet light, the thread will also beautifully fluoresce: red for a hundred, yellow for a fifty, green for a twenty, and so on. Microprinting, the second change, installed the words The United States of America in the window framing the portraits, in letters six to seven thousandths of an inch wide—too small for most copiers or scanners to register without blurred results. Over the ensuing three years, the measures were extended to all but the dollar bill.

Both of those changes—neither of which affected the look that U.S. currency had maintained since 1929—had been instituted to combat rapidly developing reprographic technology, which by the mid-1980s had become so good that even nine-to-fivers were increasingly flirting with counterfeiting. Every month newer, more advanced color-copiers, printers, and scanners were entering offices, where one of the first things curious employees did was lay a twenty on the glass, press start, and see what came out of the dispenser—call it the counterfeiting reflex. For the overwhelming majority it was an innocent game that resulted in a momentary thrill followed by a trip to the shredder. But by 1985 the copiers were becoming so advanced that the Treasury Department commissioned the National Materials Advisory Board to research ways of making U.S. currency more secure. The resulting report recommended sweeping changes to the currency, including the institution of a watermark, more complex printing patterns, and an invisible “security thread” specifically meant to foil color copying machines. In the best bureaucratic tradition, Treasury shelved the report, only to commission another study two years later that reached virtually identical conclusions. But the department worried that radical aesthetic changes in the currency would undermine the distinctiveness and continuity of the dollar—and therefore the value of the dollar itself. Compromising, they ignored most of the second report and adopted the two least intrusive changes.

The 1990 modifications failed dismally. Despite an extensive publicity campaign, few people ever knew the strip existed, and since the average lifespan of a hundred-dollar bill is about seven and a half years, counterfeiters simply continued running off older bills. People were equally oblivious of the microprinting because all but the most hawkeyed needed a magnifying glass to see it. Treasury had been so obsessed about preserving the continuity of the greenback’s appearance that they had effectively minimized their anticounter feiting improvements. Back in his Dungeon days, Art hadn’t even bothered with the strip because he’d never seen anyone look for it, and he’d found that as long as he could approximate the size and spacing of the microprinted words, no one closely inspected those either. “I was far more worried about the pen,” he says.

The counterfeit-detector “pen”—patented only a year after the security strip was introduced—was a felt-tipped marker with a yellow, iodine-based ink that turned dark brown when it reacted to the starch binding agent contained in most paper. Since currency is starch-free, the ink stays yellow on cash—a fast, apparently simple way to test a bill. By 1995, a company called Dri Mark was selling about two million pens a year for approximately three dollars each, and promoting them as a pen “that detects authenticity of U.S. currency instantly.” Major chains like 7-Eleven were using the pens to test all hundred-dollar bills. The pen was so effective and popular that, toward the end of his Dungeon days, Art had started printing twenties and tens on specific occasions just to avoid it.

By 1993, only three years after the Series 1990 note entered

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