The Art of Travel - Alain De Botton [34]
The information gave no hint as to how curiosity might arise. It was as mute as the fly on Humboldt's mountain. If a traveller was to feel personally involved with (rather than guiltily obedient towards) ‘the walls and ceilings of the church decorated with nineteenth-century frescoes and paintings…', he or she would have to be able to connect these facts—as boring as a fly—with one of the large, blunt questions to which genuine curiosity must be anchored.
For Humboldt, the question had been, ‘Why are there regional variations in nature?' For the person standing before the Iglesia de San Francisco el Grande, the question might be, ‘Why have people felt the need to build churches?' or even ‘Why do we worship God?' From such a naive starting point, a chain of curiosity would have the chance to grow, involving questions such as ‘Why are churches different in different places?', ‘What have been the main styles of churches?' and ‘Who were the main architects, and why did they achieve success?' Only through such a slow evolution of curiosity
Iglesia de San Francisco el Grande
could a traveller stand a chance of greeting the news that the church's vast neoclassical facade was by Sabatini with anything other than boredom or despair.
A danger of travel is that we may see things at the wrong time, before we have had an opportunity to build up the necessary receptivity so that new information is as useless and fugitive as necklace beads without a connecting chain.
The risk is compounded by geography in the way that cities contain buildings or monuments that may be only a few feet apart in space but are leagues apart in terms of what is required to appreciate them. Having made a journey to a place we may never revisit, we feel obliged to admire a sequence of things which have no connection to one another besides a geographic one and a proper understanding of which would require a range of qualities unlikely to be found in any one person. We are asked to be curious about Gothic architecture on one street and then promptly fascinated by Etruscan archaeology on the next.
The visitor to Madrid, for example, is expected to be interested both in the Palacio Real, an eighteenth-century royal residence famed for its chambers decorated with lavish rococo chinoiserie by the Neapolitan designer Gasparini, and—a few moments later—in the Centro de Arte Reina Sofia, a whitewashed gallery devoted to twentieth-century art, whose highlight is Picasso's Guernica. Yet the natural progression for someone deepening his or her appreciation of eighteenth-century royal architecture would be to ignore the gallery altogether and head for the palaces of Prague and St Petersburg instead.
Travel twists our curiosity according to a superficial geographical logic, as superficial as if a university course were to prescribe books according to their size rather than subject matter.
10.
Towards the end of his life, his South American adventures long behind him, Humboldt complained, with a mixture of self-pity and pride, ‘People often say that I'm curious about too many things at once: botany, astronomy, comparative anatomy. But can you really forbid a man from harbouring a desire to know and embrace everything that surrounds him?'
We cannot, of course, forbid such a thing; a pat on the back feels more appropriate. But our admiration for Humboldt's journey may not preclude our feeling a degree of sympathy for those who, even in the most fascinating cities, have occasionally been visited by a strong wish to remain in bed and take the next flight home.
LANDSCAPE
V
On the Country and the City
1.
We left London by an afternoon train. I had arranged to meet M. below the departure board at Euston Station. Watching crowds step off the escalators and onto the concourse, I thought it miraculous that in the midst of so many people, I should ever be able to find her—as well as testimony to the strange particularities of desire that it should be precisely she whom I needed to find.
We travelled up the spine of England, and as night fell, there were intimations