The Babylonian Codex - C.S. Graham [20]
Still, there are the two enormous gains—I know myself too well now to call them ‘lasting.’ Turned to God, my mind no longer meets that locked door; turned to H., it no longer meets that vacuum—nor all that fuss about my mental image of her. My jottings show something of the process, but not so much as I’d hoped. Perhaps both changes were really not observable. There was no sudden, striking, and emotional transition. Like the warming of a room or the coming of daylight. When you first notice them they have already been going on for some time.
The notes have been about myself, and about H., and about God. In that order. The order and the proportions exactly what they ought not to have been. And I see that I have nowhere fallen into that mode of thinking about either which we call praising them. Yet that would have been best for me. Praise is the mode of love which always has some element of joy in it. Praise in due order; of Him as the giver, of her as the gift. Don’t we in praise somehow enjoy what we praise, however far we are from it? I must do more of this. I have lost the fruition I once had of H. And I am far, far away in the valley of my unlikeness, from the fruition which, if His mercies are infinite, I may some time have of God. But by praising I can still, in some degree, enjoy her, and already, in some degree, enjoy Him. Better than nothing.
But perhaps I lack the gift. I see I’ve described H. as being like a sword. That’s true as far as it goes. But utterly inadequate by itself, and misleading. I ought to have balanced it. I ought to have said, ‘But also like a garden. Like a nest of gardens, wall within wall, hedge within hedge, more secret, more full of fragrant and fertile life, the further you entered.’
And then, of her, and of every created thing I praise, I should say, ‘In some way, in its unique way, like Him who made it.’
Thus up from the garden to the Gardener, from the sword to the Smith. To the life-giving Life and the Beauty that makes beautiful.
‘She is in God’s hands.’ That gains a new energy when I think of her as a sword. Perhaps the earthly life I shared with her was only part of the tempering. Now perhaps He grasps the hilt; weighs the new weapon; makes lightnings with it in the air. ‘A right Jerusalem blade.’
One moment last night can be described in similes; otherwise it won’t go into language at all. Imagine a man in total darkness. He thinks he is in a cellar or dungeon. Then there comes a sound. He thinks it might be a sound from far off—waves or wind-blown trees or cattle half a mile away. And if so, it proves he’s not in a cellar, but free, in the open air. Or it may be a much smaller sound close at hand—a chuckle of laughter. And if so, there is a friend just beside him in the dark. Either way, a good, good sound. I’m not mad enough to take such an experience as evidence for anything. It is simply the leaping into imaginative activity of an idea which I would always have theoretically admitted—the idea that I, or any mortal at any time, may be utterly mistaken as to the situation he is really in.
Five senses; an incurably abstract intellect; a haphazardly selective memory; a set of preconceptions and assumptions so numerous that I can never examine more than a minority of them—never become even conscious of them all. How much of total reality can such an apparatus let through?
I will not, if I can help it, shin up either the feathery or the prickly tree. Two widely different convictions press more and more on my mind. One is that the Eternal Vet is even more inexorable and the possible operations even more painful than our severest imaginings can forbode. But the other, that ‘all shall be well, and all shall be well, and all manner of thing shall be well.’
It doesn’t matter that all the photographs of H.