The Beautiful and Damned - F. Scott Fitzgerald [65]
THE GRAY HOUSE
It is in the twenties that the actual momentum of life begins to slacken, and it is a simple soul indeed to whom as many things are significant and meaningful at thirty as at ten years before. At thirty an organ-grinder is a more or less moth-eaten man who grinds an organ—and once he was an organ-grinder! The unmistakable stigma of humanity touches all those impersonal and beautiful things that only youth ever grasps in their impersonal glory. A brilliant ball, gay with light romantic laughter, wears through its own silks and satins to show the bare framework of a man-made thing—oh, that eternal hand!—a play, most tragic and most divine, becomes merely a succession of speeches, sweated over by the eternal plagiarist in the clammy hours and acted by men subject to cramps, cowardice, and manly sentiment.
And this time with Gloria and Anthony, this first year of marriage, and the gray house caught them in that stage when the organ-grinder was slowly undergoing his inevitable metamorphosis. She was twenty-three; he was twenty-six.
The gray house was, at first, of sheerly pastoral intent. They lived impatiently in Anthony's apartment for the first fortnight after the return from California, in a stifled atmosphere of open trunks, too many callers, and the eternal laundry-bags. They discussed with their friends the stupendous problem of their future. Dick and Maury would sit with them agreeing solemnly, almost thoughtfully, as Anthony ran through his list of what they "ought" to do, and where they "ought" to live.
"I'd like to take Gloria abroad," he complained, "except for this damn war—and next to that I'd sort of like to have a place in the country, somewhere near New York, of course, where I could write—or whatever I decide to do."
Gloria laughed.
"Isn't he cute?" she required of Maury. "'Whatever he decides to do!' But what am I going to do if he works? Maury, will you take me around if Anthony works?"
"Anyway, I'm not going to work yet," said Anthony quickly.
It was vaguely understood between them that on some misty day he would enter a sort of glorified diplomatic service and be envied by princes and prime ministers for his beautiful wife.
"Well," said Gloria helplessly, "I'm sure I don't know. We talk and talk and never get anywhere, and we ask all our friends and they just answer the way we want 'em to. I wish somebody'd take care of us."
"Why don't you go out to—out to Greenwich or something?" suggested Richard Caramel.
"I'd like that," said Gloria, brightening. "Do you think we could get a house there?"
Dick shrugged his shoulders and Maury laughed.
"You two amuse me," he said. "Of all the unpractical people! As soon as a place is mentioned you expect us to pull great piles of photographs out of our pockets showing the different styles of architecture available in bungalows."
"That's just what I don't want," wailed Gloria, "a hot stuffy bungalow, with a lot of babies next door and their father cutting the grass in his shirt sleeves—"
"For Heaven's sake, Gloria," interrupted Maury, "nobody wants to lock you up in a bungalow. Who in God's name brought bungalows into the conversation? But you'll never get a place anywhere unless you go out and hunt for it."
"Go where? You say 'go out and hunt for it,' but where?"
With dignity Maury waved his hand paw-like about the room.
"Out anywhere. Out in the country. There're lots of places."
"Thanks."
"Look here!" Richard Caramel brought his yellow eye rakishly into play. "The trouble with you two is that you're all disorganized. Do you know anything about New York State? Shut up, Anthony, I'm talking to Gloria."
"Well," she admitted finally, "I've been to two or three house parties in Portchester and around in Connecticut—but, of course, that isn't in New York State, is it? And neither is Morristown," she finished with drowsy irrelevance.
There was a shout of laughter.
"Oh, Lord!" cried Dick, "neither is Morristown!' No, and neither is Santa Barbara,