The Bell - Iris Murdoch [100]
It was complicated: it was interesting: and there was the rub. He realized that in this matter, as in many others, he was always engaged in performing what James had called the second best act: the act which goes with exploring one's personality and estimating the consequences rather than austerely following the rules. And indeed his sermon this very day had been a commendation of the second best act. But the danger here was the very danger which James had pointed out: that if one departs from a simple apprehension of certain definite commandments one may become absorbed in the excitement of a spiritual drama for its own sake.
Michael looked at his watch. He remembered now that he had arranged to see Catherine before lunch, having nerved himself at last to make the appointment. It was already time to go and find her. He knew that he must endeavour now to say something to her about Nick, to ask her to give him definite advice on how to make her brother participate more in the activities of the community. He did not look forward to raising this topic, or indeed to seeing Catherine at all, but at least it was something ordinary and patently sensible to do. He found himself hoping that Catherine might strongly advise the removal of Nick from the Lodge. He descended the stairs and glanced round the hall and put his head into the common-room.
Catherine was not to be seen; nor was she on the balcony or the terrace. Mark Strafford was sunning himself on the steps. Michael called 'Seen Catherine anywhere?'
'She's in the stable yard with her delightful twin,' said Mark. 'Brother Nick has at last decided to mend the lorry. Deo gratias.'
Michael disliked this information. He was a little tempted to postpone the interview, but decided quickly that he must not do so. Catherine might be waiting for him to, as it were, release her from Nick; and since he had at last, and with such difficulty, made up his mind to talk to her about her brother he had better not let his decision become stale. It would be a relief, anyway, to get that talk over, not least because he could then feel that, to some wretchedly small degree, he had 'done something' about Nick. He set off for the stable yard.
The big gates that led onto the drive were shut. Michael noticed gloomily, and not for the first time, that they needed a coat of paint and one gate post was rotting. He entered by a little gate in the wall. The yard, one of William Kent's minor triumphs, was composed on three sides of loose boxes surmounted by a second story lit by alternate circular and rectangular windows under a dentil cornice. It gave somewhat the impression of a small residential square. The stone-tiled