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The Bell - Iris Murdoch [12]

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This seemed to be the right answer.

Dora supposed that Compline must be some sort of religious service. At least this would put off the moment when she had to meet all those people, and the worse moment when she would be alone with Paul. She nodded.

Paul said nothing, following her silent and preoccupied.

Dora climbed the steps, trailing her hand upon the wide sloping stone banister. It was warm from the sun. She shivered slightly as she touched the house. In a moment she found herself upon the wide paved balcony under the portico. The tall doorway ahead of her led into a large hall. All was rather dark within, as no lights had been turned on yet. Dora followed James and Toby through the door, and got an impression of a great staircase, and of people hurrying through the hall and out by another door at the far end. There was a stale smell, like the smell of old bread, the smell of an institution.

A woman detached herself from the hurrying figures and came up to them. 'I'm so glad you've arrived in time,' she said. 'Welcome to Imber, Toby and Dora. We all use Christian names here, you know. I feel I know you both quite well already, I've heard so much about you!'

The woman, whom Dora could see now in the gloomy light of the interior, was a middle-aged broad-set person with a round freckled girlish face covered with fair fluffy down which gave her the appearance of an amiable lion. She had pleasant blue eyes and very long faded fair hair which she wore in neat plaits round her head.

'This is Mrs Mark,' said James.

'Would you like to retire anywhere?' said Mrs Mark to Dora.

'No, thank you,' said Dora.

At that moment Dora saw, over Mrs Mark's shoulder, what looked like a rather beautiful girl who was hurrying after the other figures in the direction of the door. She was very slim and had a long downcast pale face, long heavy eyelids, and a weight of dark hair which she wore in a drooping bun. Lost tendrils of hair curled in a short straggly fringe upon her high forehead. She turned a little in Dora's direction before she went through the door and smiled.

Dora felt an immediate twinge of displeasure. She realized that she had been assuming that if she had to decorate so uncongenial a scene she would at least be the only beautiful girl upon it. A woman of the appearance of Mrs Mark was quite in place here. But the figure she had just seen was disturbing, like a portent, menacing almost. Dora remembered that she had forgotten to smile back. The smile appeared on her lips a second or two after the girl had gone.

'Shall we go in?' said Mrs Mark.

She led the way, and Dora "followed with Paul. Toby and James came after. James hurried forward to hold the door open and they passed into a wide corridor. Paul took hold of Dora's hand, squeezed it hard, and continued to hold it. Dora was not sure if the pressure was meant as a threat or as a reassurance. She left her hand limp, resenting the hold, overcome with dejection.

A moment later they were stepping quietly into a large long room in which the lights had already been turned on. Three tall uncurtained windows with rounded tops opposite to the door gave a view over the park land, now darkened to a hazy twilight by contrast with the bright naked lights within. Dora blinked. The room was lofty and elaborately panelled. Its pink and white paint had faded to a dusty pallor, blanched now still more by the harsh glare. This, Dora conjectured, must have been the great drawing-room, or banqueting-hall perhaps, of Imber Court, now turned into a chapel. The wall at the end on her right had been completely covered by a curtain of royal blue hessian, fixed to the middle of which was a plain cross of light oak. Below it on a dais stood an altar covered with a white lace cloth and surmounted by a brass crucifix. At the side stood an elaborate metal music stand which served as a lectern. The body of the room was unfurnished except for a few rows of wooden chairs and a scattering of hassocks. A small number of people were already kneeling, and a strong silence, which because of the oddness

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