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The Bell - Iris Murdoch [151]

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later feared to suffer too little, or not in the right way. With strong magnetic force the human heart is drawn to consolation; and even grieving becomes consolation in the end.

Michael told himself that he did not want to survive, he did not want to feed upon Nick's death. He wanted to die too. But death is not easy, and life can win by simulating it. He cast about in his mind for a way of thinking about what had happened which left him finally without refuge or relief. He did not want for a single moment to forget what had happened. He wanted to use his intelligence about it. He remembered the souls in Dante who deliberately remained within the purifying fire. Repentances to think about sin without making the thought into a consolation.

After Nick's death he was for a long time quite unable to pray. He felt indeed as if his belief in God had been broken at a single blow, or as if he had discovered that he had never believed. He absorbed himself so utterly, so desperately, in the thought of Nick that even to think about God seemed an intrusion, an absurdity. Gradually he became more detached but there was no sense of his faith being renewed. He thought of religion as something far away, something into which he had never really penetrated at all. He vaguely remembered that he had had emotions, experiences, hopes; but real faith in God was something utterly remote from all that. He understood that at last, and felt, almost coldly, the remoteness. The pattern which he had seen in his life had existed only in his own romantic imagination. At the human level there was no pattern. 'For as the heavens are higher than the earth, so are my ways higher than your ways, and my thoughts than your thoughts.' And as he felt, bitterly, the grimness of these words, he put it to himself: there is a God, but I do not believe in Him.

Eventually a kind of quietness came over him, as of a hunted animal that crouches in hiding for a long while until it is lulled into a kind of peace. The silent days passed like a dream. After his work he sat in the refectory with Dora, drinking innumerable cups of tea, while the petals of fading roses fell upon the table, diffusing a sweet weary smell of potpourri, and they talked of Dora's plans. He watched Dora, turning towards life and happiness like a strong plant towards the sun, assimilating all that lay in her way. And all the time he thought about Nick until it was as if he spoke to him endlessly in his thought, a continual beseeching wordless speech like a prayer.

Very slowly a sense of his own personality returned to him. The annihilating sense of a total guilt gave way to a more reflective and discriminating remembrance. It was indeed as if there was very little of him left now. He need not have feared to grow, to thrive upon disaster. He was diminished. Reflection, which justifies, which fabricates hopes, could not do so now for him. He pondered without intensity on what he was: his general grievance against nature, his particular wrong choices. One day no doubt all this would seem charged again with a vast significance, and he would try once more to find out the truth. One day too he would experience again, responding with his heart, that indefinitely extended requirement that one human being makes upon another. He knew this abstractly, and wondered if he would, in that time, do better. It seemed to matter very little. Nothing could mend the past.

No sharp sense of his own needs drove him to make supplication. He looked about him with the calmness of the ruined man. But what did, from his former life, remain to him was the Mass. After the first weeks he went back to it, crossing the causeway in the early morning through the white fog, placing his feet carefully on the bricks which seemed to glow beneath him in some light from the hidden sun, answering the summons of the bell. The Mass remained not consoling, not uplifting, but in some way factual. It contained for him no assurance that all would be made well that was not well. It simply existed as a kind of pure reality separate from the weaving

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