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The Best Travel Writing 2011 - James O'Reilly [94]

By Root 962 0
ruthlessly dense Beijing traffic until we rose above the city into the relief of a beautifully paved single-lane mountain byway. The air cooled as we passed farming villages, a lifestyle in harmony with nature. I glimpsed grain drying in courtyards behind village walls made from mud and straw. The traditional curlicue roofs seemed carefully maintained in the old style, with protective demons painted on doorways. Here, I forgot about the problems of urban life, enjoyed the scenery and dodged donkey carts full of twigs, maneuvered around diesel tractors pulling into the road from the fields, a dusty wind in my face.

Country roads, sunshine, and the camaraderie of fellow riders should have made for a perfect Saturday, but the realization that in a few hours I would be riding alone for as long as six months through this strange country sent bolts of fear shooting through my heart and stomach. The Heibi Province border appeared.

Our moment of separation was inevitable. My borrowed bike, with its expensive black license plates, was authorized for operation in any province, though its rider wasn’t. These black plates, an indication of importance, of guanxi—their term for power, freedom, prestige—would keep me from being harassed by the police—or so I hoped.

Jiangshan gave me some extra wheel spokes and told me I would be lucky. Yang Xiao game me a hug, and Lee and Liu shook my hand.

I rode alone with a knot in my stomach trying to enjoy the first few hours of my solo journey but I was completely cowed by the wildness of Northern Heibi province. I still had the vague impression from childhood that all of China was densely populated. But this lonely country backwater was riddled with potholed roads among jagged mountains covered in soft brushy bushes and trees. The air was fresh and cool in the late afternoon, and the green mountains gave the atmosphere a healthy glow. I never imagined that China had such wide-open spaces, and then the road forked into three with no signs to mark the way. I switched the engine off and, for the first time since I arrived in the country, experienced absolute silence.

After a while, I pulled the map from the sidecar to consider it seriously now for the first time and to search, unsuccessfully, for my three-pronged crossroads, when a peasant wearing ragged cotton pants and a peaked cap appeared. He pushed a jumble of tree branches in a wooden handcart, his arms and shoulders straining against the slight decline of the road.

“N ho,” I said to him, expecting him to return my hello. He stopped and I shoved up the visor of my helmet, to be better understood. “N ho,” I repeated carefully, intoning as properly as I could in my basic Mandarin. “W mílù le,” I said, slowly. “I’m lost.”

He stared, as if he understood, so I continued, asking the way to Liajang. “Z nme qù Liajang?”

The man was tiny, and looked eighty but was probably only sixty, badly bent from work and probably mineral deficiencies. His face was tan and flat, lightly wrinkled, and his eyes, though bright, were sunken deeply. I saw that he was a little startled when he stepped nearer to me to peer up into my helmet.

“Liajang?” I repeated, rattling my map and punching the name of the town with my finger. Its name was clearly written in Pinyin, the Roman characters that appeared under the Chinese pictograms, but I really couldn’t tell how to pronounce it correctly and it’s possible the man couldn’t read. The paper rustled, ignored in the gentle breeze as the man continued to stare at my face with the bald curiosity of a child.

I’d been stared at in Beijing but this was absurd. The man acted as if I was a statue in a wax museum. He studied my jacket, then bent down to study my jeans and my boots, and rose again to take a look at my helmet and gloves before walking all around the motorcycle.

At least it gave me time to stare back. So this would be the peasant so reviled and absolutely dismissed, usually with a disgusted sneer, by the Chinese middle class. In his peaked cap with his wrinkled old face he was a museum piece himself, a caricature

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