The Blind Assassin - Margaret Atwood [117]
The dinner was a steak, along with a salad. I ate mostly the salad. All the lettuce in hotels at that time was the same. It tasted like pale-green water. It tasted like frost.
The train trip to New York the next day was uneventful. Richard read the newspapers, I read magazines. The conversations we had were not different in kind than those we’d had before the wedding. (I hesitate to call them conversations, because I did not talk much. I smiled and agreed, and did not listen.)
In New York, we had dinner at a restaurant with some friends of Richard’s, a couple whose names I’ve forgotten. They were new money, without a doubt: so new it shrieked. Their clothes looked as if they’d covered themselves in glue, then rolled around in hundred-dollar bills. I wondered how they’d made it, this money; it had a fishy whiff.
These people didn’t know Richard all that well, nor did they yearn to: they owed him something, that was all – for some unstated favour. They were fearful of him, a little deferential. I gathered this from the play of the cigarette lighters: who lit what for whom, and how quickly. Richard enjoyed their deference. He enjoyed having cigarettes lit for him, and, by extension, for me.
It struck me that Richard had wanted to go out with them not only because he wanted to surround himself with a small coterie of cringers, but because he didn’t want to be alone with me. I could scarcely blame him: I had little to say. Nonetheless, he was now – in company – solicitous of me, placing my coat with tenderness over my shoulders, paying me small, cherishing attentions, keeping a hand always on me, lightly, somewhere. Every once in a while he’d scan the room, checking over the other men in it to see who was envying him. (Retrospect of course, on my part: at the time I recognized none of this.)
The restaurant was very expensive, and also very modern. I’d never seen anything like it. Things glittered rather than shone; there was bleached wood and brass trim and brash glass everywhere, and a great deal of lamination. Sculptures of stylized women in brass or steel, smooth as taffy, with eyebrows but no eyes, with streamlined haunches and no feet, with arms melting back into their torsos; white marble spheres; round mirrors like portholes. On every table, a single calla lily in a thin steel vase.
Richard’s friends were even older than Richard, and the woman looked older than the man. She was wearing white mink, despite the spring weather. Her gown was white as well, a design inspired – she told us at some length – by ancient Greece, the Winged Victory of Samothrace to be precise. The pleats of this gown were bound around with gold cord under her breasts, and in a crisscross between them. I thought that if I had breasts that slack and droopy I’d never wear such a gown. The skin showing above the neckline was freckled and puckered, as were her arms. Her husband sat silently while she talked, his hands fisted together, his half-smile set in concrete; he looked wisely down at the tablecloth. So this is marriage, I thought: this shared tedium, this twitchiness, and those little powdery runnels forming to the sides of the nose.
“Richard didn’t warn us you’d be this young,” said the woman.
Her husband said, “It will wear off,” and his wife laughed.
I considered the word warn: was I that dangerous? Only in the way sheep are, I now suppose. So dumb they jeopardize themselves, and get stuck on cliffs or cornered by wolves, and some custodian has to risk his neck to get them out of trouble.
Soon – after two days in New York, or was it three? – we crossed over to Europe on the Berengeria, which Richard said was the ship taken by everybody