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The Book of Air and Shadows - Michael Gruber [224]

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of desperate loss, and immediately dashed across the room and threw himself into the heart of the fire. He grabbed handfuls of paper off the coals, pinching out any fire that had bit into them with his bare hands and tossing the pages back into the room, like a dog tossing earth out of a hole. Some of the pages, Crosetti saw, had caught in the updraft and had been plastered against the back of the deep fireplace, but Haas heaved his whole body across the blazing logs and pulled them free. As he did this he never stopped screaming, nor did he stop when he pulled himself out of the fire, ablaze all down the front of his clothes, his scarf a necklace of fire. He trotted in little circles slapping at the flames, his face a hideous black-red mask, his glasses warped and partially melted.

Mishkin now snatched up the flaming professor as if he had been a hollow man and made for the door, carrying him on his shoulder. The Deckhand tried to stop him and was stiff-armed out of the way, falling on a side table with a crash. Once outside, Mishkin dived into a hollow where the snow was relatively deep and used handfuls of it to douse the flames and after these had hissed out, used more snow to cool the red and tortured flesh showing through the charred clothing and on the face.

Crosetti observed this through the open door and watched as the Deckhand got up and tromped over to the kneeling Mishkin and kicked him hard in the ribs. He would have continued to kick had Shvanov not called him off.

“You know this gives me an idea,” said Shvanov. With a start, Crosetti realized that the gangster was addressing him. He immediately understood that the man was going to give him an explanation, because this is what movie gangsters always do for their victims, and he wondered if gangsters behaved so in earlier times. Probably yes, he thought, because you saw that in Shakespeare, the self-justifying villain, the delight in describing the prospect of death to the helpless victim. But did Shakespeare invent that, like screenwriters invented the quick-draw gunfight? Probably. He invented most of what passes for human behavior. Crosetti made himself concentrate on what Shvanov was saying.

“…so don’t you agree? Everyone will sacrifice for something, but not that kind of sacrifice, not the body, not even for money. For children maybe.” Here he looked coldly at the two Mishkin kids. “Or as we have just seen, for this manuscript. So, of course it is real.”

“You took a risk,” said Crosetti.

“Yes, but a man such as myself must take risks, it is entrepreneurial spirit. Now I have payoff.” He looked over to where his two men were gathering the sheets of scorched paper. “And I don’t think that some little burnt places will reduce the value too much if any. It gives a look of more authenticity, I believe, for so old a piece. But, as I say, this burning gives an idea. The professor Haas invites his good friend Mishkin to his cabin with his two children, and also his friend Crosetti with his girlfriend Carolyn, and they go out in the Haas speedboat on this beautiful lake, even though it is cold, because it is so beautiful in the snow and there is a tragic explosion, a gasoline leak, or whatever, and they are all burned and sunk in the water.”

“I don’t understand. I didn’t have anything to do with this scam and neither did Carolyn.”

“Yes, but you are witnesses. This is a Russian thing, I believe. Stalin taught this to us and we remember. In doubt, get rid of everyone except those who are…what is this word? Com…?”

“Complicit.”

“Exactly. Complicit. So now, you will all go into the boat.” He reached under his coat, brought out a pistol, and shouted something in Russian to his troops. Soon they were in a sad procession down to the lake’s edge. In the front, Mishkin carrying the moaning Haas in his arms, then the Mishkin children, then Crosetti and Carolyn. The Russians now had their weapons out, the Deckhand with his submachine gun, and the others with semiautomatic pistols. It was the Deckhand who escorted the prisoners into the boathouse and made them enter

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