The Book of Air and Shadows - Michael Gruber [27]
I love my children as much as I love anything, which I have to say is not all that much. I am able to maintain the simulacrum of a good father simply as an act of imagination, as previously I maintained that of a good son, a good brother, a friend, and so on. It is more easy than you might think to fool people, and until I met Amalie I thought everyone was like that, I thought people picked a script from a cultural box and played it out, I thought that, really, there was no difference between Jake Mishkin playing Mercutio and Jake Mishkin playing Jake Mishkin, except that Mercutio was better written.
That was, by the way, why I didn’t go into acting professionally. I told myself that I gave up the theater (and what a gross self-pitying phrase that sounds!) because I required a sure source of income to support my family, but in fact it was because once I got into a part it was nearly impossible for me to get out of it. What was funny-eccentric in high school became funny-peculiar when I got a little older, and then not funny at all. I imagined myself spending my days in a locked ward, stuck in Macbeth or Torvald Helmer. Or Estragon. And there was also, I don’t know, something seriously toxic about the people who were involved with theater, or maybe I just projected that because I was scared. So I switched to prelaw and have had little reason to regret it since. I don’t go to plays.
I’ve returned after a break to drink some coffee and have a doughnut. I bought two dozen at a place in Saranac Lake and have been living off them and coffee for some time. The house is well stocked with canned goods and staples, some of them of considerable age, and there is a freezer with fish and game in it. Mickey said I could stay here indefinitely, although he added that in the event of a nuclear attack I would have to share it with him and whichever of his three wives he decides to bring along. There is a town twenty-six miles off, New Weimar, but I have not visited it. I thought it best if no one local knew I was here. The house is quite isolated, standing at the end of a long dirt driveway that comes off a gravel road, that diverges from a secondary state road that comes off Route 30 west of Saranac Lake. The isolation is purely physical, however, for some years ago Mickey installed a satellite dish, and so you can get the usual two hundred channels, and more significantly there is broadband Internet access via the dish. I like to feel that with a few button pushes I can send this out to the whole world. This may be a bargaining chip at some point, with whom I don’t yet know.
Reading this over I see I have screwed up the line of the narrative beyond all repair. It might have been better had I simply set out to write out my life story straight up, as if, like Bracegirdle, I were on my deathbed, instead of merely dwelling in the probability of meeting some violent end in the not-too-distant future. Death, I suppose, concentrates the mind, assuming one has a mind left. The problem is that I started out to tell a simple story like you used to find in cheap thrillers, the electronic equivalent of the last-gasp message, the cryptic scrawl on the plaster, the note in blood—“the emeralds are in the p [illegible scrawl]”; or “It wasn’t Har.” And from this arises the plot. But it seems that my life has become mixed up with the story, as was Bracegirdle’s, viz.:
Though God did not call mee to stande among the greate still I am a man not a clod & my story bears telling if onlie to holpe in the breding of my sonne: who needs muste rise to manhoode lacking what ever poore model