The Book of Air and Shadows - Michael Gruber [50]
Somewhat depressed now by these reminiscences, I vouchsafe them only to lay the groundwork, necessary to the unfolding of this tale, of my increasingly pathetic yearning for the erotic. Dierdre was sexy but not erotic; there is no deep life in her. Ingrid is erotic, if a little detached, there is always a distance when we’re together and I suppose that’s why I visit her. Artists, I have found, are often like that; it all goes into their work. My estranged wife, Amalie, is far and away the most erotic woman I have ever known, the life force boils out of her, and everything she touches attains beauty. Except me.
Does “erotic” have an antonym? Thanatotic, perhaps. Is that a word? Clearly the thing is itself real, for don’t we all delight in death? Violent death especially, what pleasure! Don’t we show it in all its fictive detail to our children tens of thousands of times? Although not the reality: no, NASCAR racing excepted, here’s the one remaining area where we acknowledge the difference between IP and Real Life. Real death is the last embarrassing thing. And there’s surely an aesthetics of death, the opposite of all those sprightly Impressionist scenes and the luscious nudes of Boucher, an aesthetics that I believe reached its apogee during the regime for which my grandfather made the supreme sacrifice. Contra Mies, this appeal has nothing to do with mere functionality. The American P-47 Thunderbolt was an effective and formidable weapon, arguably the best fighter-bomber of the war, but it looks like something out of the Disney studio, plump and bulbous, as if it should have its prop emerging from a smiley face. The Stuka on the other hand looks just like what it is: terror from the skies. Again, the Sherman tank looks like something a toddler would pull on a string; the Panzer VI Tiger is obviously an elaborate machine for killing human beings. Not to mention the terrific uniforms, the regalia. And this thing here in my hand.
The Germans call it a Pistole-08, a null-acht, but everyone else calls it a Luger. This is in fact the very item brandished when Mom and Dad met: yes, she lied about that, for here it is. It is a special presentation model awarded to old granddad when he won the Knight’s Cross with Oak Leaves and Swords. God knows what it’s worth, thousands and thousands to the peculiar little men who collect this shit. On the left side of the walnut grip is an inlaid diamond lozenge quartered red and white with black letters inlaid in the center
and on the right side we find an inlaid miniature in silver of the decoration; the recipient’s name, his rank, and the date are engraved on the receiver. Himmler apparently conferred it with his own pudgy white hands. My mother was unclear as to what the medal citation was, but it involved killing a truly spectacular number of Russians while commanding a panzer regiment on the eastern front during the late summer of 1943. It still makes me sweat a little to look at it and hold it, it is so totally awful a thing, but for some reason I have never been able to sell it or toss it in the river. It’s loaded too, with the original Parabellum 9 mm. And I know it works. Perhaps I will do some plinking with it later. I am a pretty good pistol shot as a matter of fact. My brother, Paul, taught me how during a leave after his first tour. I met him down at Fort Bragg and we went out into the piney woods one afternoon and blazed away with a military Colt .45 and a Soviet Makarov 9 mm he had picked up in Vietnam. He taught point-and-shoot combat style, speed above everything because the average pistol target was seven feet away or less.
Anyway, I dropped Mickey off at Columbia, and as he left the car he said, “Let me know when the niece calls—if she finds that manuscript, tell her I’d love to have a look at it.”
I said I would and we drove off south. On the ride back I thought about my long relationship with Mickey Haas, especially its sexual aspects. I had to acknowledge a certain contempt for the man, which is, I believe, inevitably a part of any