The Book_ On the Taboo Against Knowing Who You Are - Alan Watts [22]
Another powerful image is the Ceramic Model of the universe, in which we think of it as so many forms of one or more substances, as pots are forms of clay, and as God is said to have created Adam from the dust. This has been an especially troublesome image, bewildering philosophers and scientists for centuries with such idiotic questions as:
"How does form (or energy) influence matter?" "What is matter?"
"What happens to form (the soul) when it leaves matter (the body)?"
"How is it that 'mere' matter has come to be arranged in orderly forms?"
"What is the relationship between mind and body?"
Problems that remain persistently insoluble should always be suspected as questions asked in the wrong way, like the problem of cause and effect. Make a spurious division of one process into two, forget that you have done it, and then puzzle for centuries as to how the two get together. So with "form" and "matter." Because no one ever discovered a piece of formless matter, or an immaterial form, it should have been obvious that there was something wrong with the Ceramic Model. The world is no more formed out of matter than trees are
"made" of wood. The world is neither form nor matter, for these are two clumsy terms for the same process, known vaguely as "the world" or
"existence." Yet the illusion that every form consists of, or is made of, some kind of basic "stuff" is deeply embedded in our common sense.
We have quite forgotten that both "matter" and "meter" are alike derived from the Sanskrit root matr-, "to measure," and that the "material" world means no more than the world as measured or measurable—by such abstract images as nets or matrices, inches, seconds, grams, and decibels. The term "material" is often used as a synonym for the word
"physical," from the Greek physis (nature), and the original Indo-European bheu (to become). There is nothing in the words to suggest that the material or physical world is made of any kind of stuff according to the Ceramic Model, which must henceforth be called the Crackpot Model.
But the Crackpot Model of the world as formed of clay has troubled more than the philosophers and the scientists. It lies at the root of the two major myths which have dominated Western civilization, and these, one following upon the other, have played an essential part in forming the illusion of the "real person."
If the world is basically "mere stuff" like clay, it is hard to imagine that such inert dough can move and form itself. Energy, form, and intelligence must therefore come into the world from outside. The lump must be leavened. The world is therefore conceived as an artifact, like a jar, a statue, a table, or a bell, and if it is an artifact, someone must have made it, and someone must also have been responsible for the original stuff. That, too, must have been "made." In Genesis the primordial stuff
"without form, and void" is symbolized as water, and, as water does not wave without wind, nothing can happen until the Spirit of God moves upon its face. The forming and moving of matter is thus attributed to intelligent Spirit, to a conscious force of energy in form ing matter so that its various shapes come and go, live and die.
Yet in the world as we know it, many things are clearly wrong, and one hesitates to attribute these to the astonishing Mind capable of making this world in the beginning. We are loath to believe that cruelty, pain, and malice come directly from the Root and Ground of Being, and hope fervently that God at least is the perfection of all that we can imagine as wisdom and justice. (We need not enter, here, into the fabulous and insoluble Problem of Evil which this model of the universe creates, save to note that it arises from the model itself.) The peoples who developed this myth were ruled