The Book_ On the Taboo Against Knowing Who You Are - Alan Watts [9]
In this respect our nervous system and 0/1 computers are much like everything else, for the physical world is basically vibration. Whether we think of this vibration in terms of waves or of particles, or perhaps wavicles, we never find the crest of a wave without a trough or a particle without an interval, or space, between itself and others. In other words, there is no such thing as a half wave, or a particle all by itself without any space around it. There is no on without off, no up without down.
Although sounds of high vibration seem to be continuous, to be pure sound, they are not. Every sound is actually sound/silence, only the ear does not register this consciously when the alternation is too rapid. It appears only in, say, the lowest audible notes of an organ. Light, too, is not pure light, but light/darkness. Light pulsates in waves, with their essential up/down motion, and in some conditions the speed of light vibrations can be synchronized with other moving objects so that the latter appear to be still. This is why are lights are not used in sawmills, for they emit light at a pulse which easily synchronizes with the speed of a buzz saw in such a way that its teeth seem to be still.
While eyes and ears actually register and respond to both the up-beat and down-beat of these vibrations, the mind, that is to say our conscious attention, notices only the up-beat. The dark, silent, or "off" interval is ignored. It is almost a general principle that consciousness ignores intervals, and yet cannot notice any pulse of energy without them. If you put your hand on an attractive girl's knee and just leave it there, she may cease to notice it. But if you keep patting her knee, she will know you are very much there and interested. But she notices and, you hope, values the on more than the off. Nevertheless, the very things that we believe to exist are always on/offs. Ons alone and offs alone do not exist.
Many people imagine that in listening to music they hear simply a succession of tones, singly, or in clusters called chords. If that were true, as it is in the exceptional cases of tone-deaf people, they would hear no music, no melody whatsoever—only a succession of noises. Hearing melody is hearing the intervals between the tones, even though you may not realize it, and even though these particular intervals are not periods of silence but "steps" of varying length between points on the musical scale. These steps or intervals are auditory spaces, as distinct from distance-spaces between bodies or time-spaces between events.
Yet the general habit of conscious attention is, in various ways, to ignore intervals. Most people think, for example, that space is "just nothing" unless it happens to be filled with air. They are therefore puzzled when artists or architects speak of types and properties of space, and more so when astronomers and physicists speak of curved space, expanding space, finite space, or of the influence of space on light or on stars. Because of this habit of ignoring space-intervals, we do not realize that just as sound is a vibration of sound/silence, the whole universe (that is, existence) is a vibration of solid/space. For solids and spaces go together as inseparably as insides and outsides. Space is the relationship between bodies, and without it there can be neither energy nor motion.
If there were a body, just one single ball, with no surrounding space, there would be no way of conceiving or feeling it as a ball or any other shape. If there were nothing outside it, it would have no outside. It might be God, but certainly not a body! So too, if there were just space alone with nothing in it, it wouldn't be space at all. For there is no space