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The Bristling Wood - Katharine Kerr [117]

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this way and that, stumbling through every simple sentence as he haggled for cheese and peaches, for loaves of bread from the baker. Since Jill could speak no more clearly than he could, she was of no help to him. Once she saw a farmer’s wife watching them in puzzlement, as if she were wondering how a pair of halfwits like they could survive on the road.

With the shopping done, they went to a tiny tavern for ale. After nothing but spring water to drink, the ale tasted so good that Jill savored every sip. Although the little room had dirty straw on the floor, an unswept hearth, and battered tables, she was happy there. It was good to see other people, her own kind, good to listen to human voices instead of the endless wind through the forest and the chatter of streams. A balding stout fellow, wearing the checked brigga of a merchant, gave her a friendly smile.

“Here, lass,” he said. “Why do you carry a silver dagger?”

“Oh, ah, er, well,” Jill said. “My father was a silver dagger, you see. It’s a reminder of him.”

“A pious gesture, truly.”

Jill had the sudden startling experience of hearing him think: A pretty lass, but stupid; ah well, wits don’t matter in a lass. The thought was as clear in her mind as if he’d spoken aloud, but she decided that she was only deluding herself. When it was time to leave the tavern, she wept, simply because they were going back to the lonely wilderness.

That afternoon they rode through low rolling hills, where the pine forest thinned, and farms appeared in sheltered valleys. Jill had no idea of where they were; all she knew was that the sun rose in the east and set in the west. They made camp, however, in a place Perryn knew well, or so he said, a tiny vale, along a stream, and bordered with white birches. Before he lit the fire, he gave Jill a kiss.

“Let’s lie down,” he said.

All at once, the thought of making love with him filled her with revulsion. When she shoved him away, he caught her by the shoulders and pulled her to him. Although she tried to wrestle free, his superior strength told against her. He grabbed her, lifted her, and laid her struggling on the ground. She fought against him, but even as she did, she knew that she was slowly, inexorably giving in to him, fighting with only half her strength, letting him steal a kiss here and there, then a caress, then finally surrendering, letting him take her, press her down, and turn her world to a fire of pleasure. When he lay down next to her, he started to speak, then fell asleep in openmouthed exhaustion.

Jill lay next to him and watched the sunset coming through the branches like a shower of gold coins. The white birches glowed with an inner fire, as if they were watching them and blessing them in silent presences. She could hear the stream running nearby in little voices, the aimless chatter of the Wildfolk. Just as the sunset was fading into twilight, Perryn sat up with a yawn and a gasp. She saw dark circles under his eyes, two livid pools of shadow. For a moment he stared at her as if he hardly knew where they were.

“Are you all right?” Jill said.

“Oh, er, well, just tired.”

Yet as the evening wore on, she realized that things went far beyond his being tired. When they ate, he gobbled the food, then fell asleep again. She sat by the fire and watched the birches glowing, bending close, it seemed, to study this pair of intruders in the grove. For one moment she thought she saw someone standing among the trees and watching her, but when she got up for a closer look, the shadowy form disappeared. In a bit Perryn woke again and stumbled over to the fire. A leap of flame washed his face with light and seemed to cover it with blood; his eyes seemed great hollow rents in a mask. Jill cried out at the sight.

“What’s wrong?” he said.

Yet she had no words to tell him what she instinctively knew, that their afternoon’s lovemaking had driven them to a crisis point, just as when a warrior rides a charge, thinking of naught but the flash of steel around him, only to find himself behind the enemy line, cut off and alone when it’s too

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