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The Burial of the Guns [30]

By Root 496 0
all, but would like to get off that day; had a special reason for it, and would, if necessary, go back to jail that evening and stay there a year, or all his life." As he stood awaiting sentence, he looked like a damned soul. His coat was unbuttoned, and his old, faded gray jacket showed under it. The justice, to his honor, let him off: let all offenders off that day. "No. 4" shook hands with him, unable to speak, and turned away. Then he had a strange turn. We had hard work to get him to go into the procession. He positively refused; said he was not fit to go, or to live; began to cry, and took off his jacket. He would go back to jail, he said. We finally got him straight; accepted from him a solemn promise not to touch a drop till the celebration was over, so help him God, and sent him off to join his old command at the tobacco-warehouse on the slip where the cavalry rendezvoused. I had some apprehension that he would not turn up in the procession; but I was mistaken. He was there with the old cavalry veterans, as sober as a judge, and looking every inch a soldier.

It was a strange scene, and an impressive one even to those whose hearts were not in sympathy with it in any respect. Many who had been the hardest fighters against the South were in sympathy with much of it, if not with all. But to those who were of the South, it was sublime. It passed beyond mere enthusiasm, however exalted, and rested in the profoundest and most sacred deeps of their being. There were many cheers, but more tears; not tears of regret or mortification, but tears of sympathy and hallowed memory. The gayly decorated streets, in all the bravery of fluttering ensigns and bunting; the martial music of many bands; the constant tramp of marching troops; the thronged sidewalks, verandas, and roofs; the gleam of polished arms and glittering uniforms; the flutter of gay garments, and the smiles of beautiful women sweet with sympathy; the long line of old soldiers, faded and broken and gray, yet each self-sustained, and inspired by the life of the South that flowed in their veins, marching under the old Confederate battle-flags that they had borne so often in victory and in defeat -- all contributed to make the outward pageant a scene never to be forgotten. But this was merely the outward image; the real fact was the spirit. It was the South. It was the spirit of the South; not of the new South, nor yet merely of the old South, but the spirit of the great South. When the young troops from every Southern State marched by in their fresh uniforms, with well-drilled battalions, there were huzzas, much applause and enthusiasm; when the old soldiers came there was a tempest: wild cheers choking with sobs and tears, the well-known, once-heard-never-forgotten cry of the battling South, known in history as "the rebel yell". Men and women and children joined in it. It began at the first sight of the regular column, swelled up the crowded streets, rose to the thronged housetops, ran along them for squares like a conflagration, and then came rolling back in volume only to rise and swell again greater than before. Men wept; children shrilled; women sobbed aloud. What was it! Only a thousand or two of old or aging men riding or tramping along through the dust of the street, under some old flags, dirty and ragged and stained. But they represented the spirit of the South; they represented the spirit which when honor was in question never counted the cost; the spirit that had stood up for the South against overwhelming odds for four years, and until the South had crumbled and perished under the forces of war; the spirit that is the strongest guaranty to us to-day that the Union is and is to be; the spirit that, glorious in victory, had displayed a fortitude yet greater in defeat. They saw in every stain on those tattered standards the blood of their noblest, bravest, and best; in every rent a proof of their glorious courage and sacrifice. They saw in those gray and careworn faces, in those old clothes interspersed now and then with a faded
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