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The Call of the Canyon [81]

By Root 812 0
"The preachers and reformers and bishops and rabbis make me sick. They rave about jazz. Jazz--the discordant note of our decadence! Jazz--the harmonious expression of our musicless, mindless, soulless materialism!--The idiots! If they could be women for a while they would realize the error of their ways. But they will never, never abolish jazz-- never, for it is the grandest, the most wonderful, the most absolutely necessary thing for women in this terrible age of smotheration."

"All right, Eleanor, we understand each other, even if we do not agree," said Carley. "You leave the future of women to chance, to life, to materialism, not to their own conscious efforts. I want to leave it to free will and idealism."

"Carley, you are getting a little beyond me," declared Eleanor, dubiously.

"What are you going to do? It all comes home to each individual woman. Her attitude toward life."

"I'll drift along with the current, Carley, and be a good sport," replied Eleanor, smiling.

"You don't care about the women and children of the future? You'll not deny yourself now, and think and work, and suffer a little, in the interest of future humanity?"

"How you put things, Carley!" exclaimed Eleanor, wearily. "Of course I care--when you make me think of such things. But what have I to do with the lives of people in the years to come?"

"Everything. America for Americans! While you dawdle, the life blood is being sucked out of our great nation. It is a man's job to fight; it is a woman's to save. . . . I think you've made your choice, though you don't realize it. I'm praying to God that I'll rise to mine."


Carley had a visitor one morning earlier than the usual or conventional time for calls.

"He wouldn't give no name," said the maid. "He wears soldier clothes, ma'am, and he's pale, and walks with a cane."

"Tell him I'll be right down," replied Carley.

Her hands trembled while she hurriedly dressed. Could this caller be Virgil Rust? She hoped so, but she doubted.

As she entered the parlor a tall young man in worn khaki rose to meet her. At first glance she could not name him, though she recognized the pale face and light-blue eyes, direct and steady.

"Good morning, Miss Burch," he said. "I hope you'll excuse so early a call. You remember me, don't you? I'm George Burton, who had the bunk next to Rust's."

"Surely I remember you, Mr. Burton, and I'm glad to see you," replied Carley, shaking hands with him. "Please sit down. Your being here must mean you're discharged from the hospital."

"Yes, I was discharged, all right," he said.

"Which means you're well again. That is fine. I'm very glad."

"I was put out to make room for a fellow in bad shape. I'm still shaky and weak," he replied. "But I'm glad to go. I've pulled through pretty good, and it'll not be long until I'm strong again. It was the 'flu' that kept me down."

"You must be careful. May I ask where you're going and what you expect to do?"

"Yes, that's what I came to tell you," he replied, frankly. "I want you to help me a little. I'm from Illinois and my people aren't so badly off. But I don't want to go back to my home town down and out, you know. Besides, the winters are cold there. The doctor advises me to go to a little milder climate. You see, I was gassed, and got the 'flu' afterward. But I know I'll be all right if I'm careful. . . . Well, I've always had a leaning toward agriculture, and I want to go to Kansas. Southern Kansas. I want to travel around till I find a place I like, and there I'll get a job. Not too hard a job at first--that's why I'll need a little money. I know what to do. I want to lose myself in the wheat country and forget the--the war. I'll not be afraid of work, presently. . . . Now, Miss Burch, you've been so kind--I'm going to ask you to lend me a little money. I'll pay it back. I can't promise just when. But some day. Will you?"

"Assuredly I will," she replied, heartily. "I'm happy to have the opportunity to help you. How much will you need for immediate use? Five hundred dollars?"

"Oh no, not
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