The Call of the Wild and White Fang - Jack London [117]
The men outside shouted and applauded, while Beauty Smith, in an ecstasy of delight, gloated over the ripping and mangling performed by White Fang. There was no hope for the mastiff from the first. He was too ponderous and slow. In the end, while Beauty Smith beat White Fang back with a club, the mastiff was dragged out by its owner. Then there was a payment of bets, and money clinked in Beauty Smith’s hand.
White Fang came to look forward eagerly to the gathering of the men around his pen. It meant a fight; and this was the only way that was now vouchsafed him of expressing the life that was in him. Tormented, incited to hate, he was kept a prisoner so that there was no way of satisfying that hate except at the times his master saw fit to pit another dog against him. Beauty Smith had estimated his powers well, for he was invariably the victor. One day, three dogs were turned in upon him in succession. Another day, a full-grown wolf, fresh-caught from the Wild, was shoved in through the door of the pen. And on still another day two dogs were set against him at the same time. This was his severest fight, and although in the end he killed them both he was himself half killed in doing it.
In the fall of the year, when the first snows were falling and mush-ice was running in the river, Beauty Smith took passage for himself and White Fang on a steamboat bound up the Yukon to Dawson. White Fang had now achieved a reputation in the land. As “The Fighting Wolf” he was known far and wide, and the cage in which he was kept on the steamboat’s deck was usually surrounded by curious men. He raged and snarled at them, or lay quietly and studied them with cold hatred. Why should he not hate them? He never asked himself the question. He knew only hate and lost himself in the passion of it. Life had become a hell to him. He had not been made for the close confinement wild beasts endure at the hands of men. And yet it was in precisely this way that he was treated. Men stared at him, poked sticks between the bars to make him snarl, and then laughed at him.
They were his environment, these men, and they were molding the clay of him into a more ferocious thing than had been intended by Nature. Nevertheless, Nature had given him plasticity. Where many another animal would have died or had its spirit broken, he adjusted himself and lived, and at no expense of the spirit. Possibly Beauty Smith, arch fiend and tormentor, was capable of breaking White Fang’s spirit, but as yet there were no signs of his succeeding.
If Beauty Smith had in him a devil, White Fang had another; and the two of them raged against each other unceasingly. In the days before, White Fang had had the wisdom to cower down and submit to a man with a club in his hand; but this wisdom now left him. The mere sight of Beauty Smith was sufficient to send him into transports of fury. And when they came to close quarters, and he had been beaten back by the club, he went on growling and snarling and showing his fangs. The last growl could never be extracted from him. No matter how terribly he was beaten, he had always another growl; and when Beauty Smith gave up and withdrew, the defiant growl followed after him, or White Fang sprang at the bars of the cage bellowing his hatred.
When the steamboat arrived at Dawson, White Fang went ashore. But he still lived a public life, in a cage, surrounded by curious men. He was exhibited as “The Fighting Wolf,” and men paid fifty cents in gold dust to see him. He was given no rest. Did he lie down to sleep, he was stirred up by a sharp stick—so that the audience might get its money’s worth. In order to make the exhibition interesting, he was kept in a rage most of the time.