The Call of the Wild and White Fang - Jack London [129]
And so, because he needed a god and because he preferred Weedon Scott to Beauty Smith, White Fang remained. In acknowledgment of fealty, he proceeded to take upon himself the guardianship of his master’s property. He prowled about the cabin while the sled-dogs slept, and the first night visitor to the cabin fought him off with a club until Weedon Scott came to the rescue. But White Fang soon learned to differentiate between thieves and honest men, to appraise the true value of step and carriage. The man who traveled, loud-stepping, the direct line to the cabin door, he let alone—though he watched him vigilantly until the door opened and he received the endorsement of the master. But the man who went softly, by circuitous ways, peering with caution, seeking after secrecy—that was the man who received no suspension of judgment from White Fang, and who went away abruptly, hurriedly, and without dignity.
Weedon Scott had set himself the task of redeeming White Fang—or rather, of redeeming mankind from the wrong it had done White Fang. It was a matter of principle and conscience. He felt that the ill done White Fang was a debt incurred by man and that it must be paid. So he went out of his way to be especially kind to the Fighting Wolf. Each day he made it a point to caress and pet White Fang, and to do it at length.
At first suspicious and hostile, White Fang grew to like this petting. But there was one thing that he never outgrew—his growling. Growl he would, from the moment the petting began until it ended. But it was a growl with a new note in it. A stranger could not hear this note, and to such a stranger the growling of White Fang was an exhibition of primordial savagery, nerve-racking and blood-curdling. But White Fang’s throat had become harsh-fibered from the making of ferocious sounds through the many years since his first little rasp of anger in the lair of his cubhood, and he could not soften the sounds of that throat now to express the gentleness he felt. Nevertheless, Weedon Scott’s ear and sympathy were fine enough to catch the new note all but drowned in the fierceness—the note that was the faintest hint of a croon of content and that none but he could hear.
As the days went by, the evolution of like into love was accelerated. White Fang himself began to grow aware of it, though in his consciousness he knew not what love was. It manifested itself to him as a void in his being—a hungry, aching, yearning void that clamored to be filled. It was a pain and an unrest; and it received easement only by the touch of the new god’s presence. At such times love was a joy to him, a wild, keen-thrilling satisfaction. But when away from his god, the pain and the unrest returned; the void in him sprang up and pressed against him with its emptiness, and the hunger gnawed and gnawed unceasingly.
White Fang was in the process of finding himself. In spite of the maturity of his years and of the savage rigidity of the mold that had formed him, his nature was undergoing an expansion. There was a burgeoning within him of strange feelings and unwonted impulses. His old code of conduct was changing. In the past he had liked comfort and surcease from pain, disliked discomfort and pain, and he had adjusted his actions accordingly. But now it was different. Because of this new feeling within him, he oft-times elected discomfort and pain for the sake of his god. Thus, in the early morning, instead of roaming and foraging, or lying in a sheltered nook, he would wait for hours on the cheerless cabin stoop for a sight of the god’s face. At night, when the god returned home, White Fang would leave the warm sleeping-place he had burrowed in the snow in order to receive