The calligrapher's daughter_ a novel - Eugenia Kim [1]
My mother’s visit had brought me great relief, but my stinging thighs sparked a long-smoldering defiance and I swore to remain alert for the chance to visit my father’s side of the house again.
And so on this day, when six elders and their wives came to visit, I found my chance after the guests had settled in—the women in Mother’s sitting room and the men with Father. I crept down Father’s hallway, nearing the big folding screen displayed outside his door, and heard murmurings about resisting the Japanese. The folding screen’s panels were wide enough for me to slide into a triangle behind an accordion bend. The dark hiding place cooled the guilty disobedience that was making me hot and sweaty, a completely unacceptable state for a proper young lady. I breathed deeply of the dust and dark to calm myself, and cradled my body, trying to squeeze it smaller. Pipe smoke filtered through the door, papers shuffled, and I wondered which voice in the men’s dialogue belonged to whom. The papers must have been my father’s collection of the Daehan Maeil News I knew he’d saved over the past several months. This sole uncensored newspaper, distributed nationwide for almost a full year, had recently been shut down. The men discussed the forced closure of the newspaper, Japan’s alliance with Germany, its successes in China and unceasing new ordinances that promoted and legalized racial discrimination. Naturally I understood none of this, but the men’s talk was animated, tense and punctuated repeatedly with unfamiliar words.
I slipped from behind the screen, tiptoed down the hall and, once safely on our side of the house, ran to Mother’s room, eager to ask what some of those words meant: Europe, war, torture, conscript, dissident and bleakfuture.
The men’s wives sat around the open windows and door of my mother’s sitting room, fanning themselves, patting their hair and fussing about the humidity. I spun to retreat, realizing too late that Mother would be in the kitchen supervising refreshments. A woman with painted curved eyebrows and an arrow-sharp chin called “Yah!” and beckoned me closer.
“You see?” Her skinny hand pecked the air like an indignantly squawking hen. The others turned to look, and I bowed, embarrassed by their attention, sure that my cheeks were as pink as my skirt. Garden dirt clung to my hem, but I managed to refrain from brushing it off and folded my hands dutifully, keeping every part of me still.
Another woman said, “She’s pretty enough.” I felt their eyes studying me. My hair was braided as usual into two thick plaits that hung below my shoulders. Still plump with childhood, I had gentle cheekbones, round rabbit eyes wide apart, a flat bridge above an agreeable nose, and what I hoped