The Cambridge Introduction to Marcel Proust - Adam A. Watt [90]
Style and narrative technique
Bowie, M., ‘Proust and the Art of Brevity’, in R. Bales, ed., The Cambridge Companion to Proust (Cambridge University Press, 2001), pp. 216–29.
>Bowie, M., ‘Reading Proust between the Lines’, in A. Benhaïm, ed., The Strange M. Proust (Oxford: Legenda, 2009), pp. 125–34.
De Man, P., ‘Reading (Proust)’, in Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke and Proust (New Haven, CT: Yale University Press, 1979), pp. 57–78.
Genette, G., Narrative Discourse: An Essay in Method, trans. by Jane E. Lewin (Ithaca, NY: Cornell University Press, 1980).
Graham, V., The Imagery of Proust (Oxford: Blackwell, 1966).
Rogers, B. G., The Narrative Techniques of ‘A la recherche du temps perdu’ (Paris: Honoré Champion, 2004), revised and augmented edition of Proust’s Narrative Techniques (Geneva: Droz, 1965).
Rogers, B. G., ‘Proust’s Narrator’, in R. Bales, ed., The Cambridge Companion to Proust (Cambridge University Press, 2001), pp. 85–99.
Slater, M., Humour in the Works of Proust (Oxford University Press, 1979).
Tadié, J.-Y., Proust et le roman (Paris: Gallimard, 1971; reprinted 1986).
Proust and the arts
Beugnet, M. and M. Schmid, Proust at the Movies (Aldershot: Ashgate, 2004).
Bales, R., Proust and the Middle Ages (Geneva: Droz, 1975).
Bales, R., ‘Proust and the Fine Arts’, in R. Bales, ed., The Cambridge Companion to Proust (Cambridge University Press, 2001), pp. 183–99.
Bowie, M., ‘Art’, in Proust among the Stars (London: HarperCollins, 1998), pp. 68–125.
Brooks, P., ‘Modernism and Realism: Joyce, Proust, Woolf’, in Realist Vision (New Haven, CT and London: Yale University Press, 2005), pp. 198–211.
Cocking, J. M., ‘Proust and Music’ and ‘Proust and Painting’, in Proust: Collected Essays on the Writer and His Art (Cambridge University Press, 1982), pp. 109–29 and 130–63.
Collier, P., Proust and Venice (Cambridge University Press, 1987).
Gamble, C., Proust as Interpreter of Ruskin: The Seven Lamps of Translation (Birmingham, AL: Summa Publications, 2002).
Ellison, D., ‘Proust and Posterity’, in R. Bales, ed., The Cambridge Companion to Proust (Cambridge University Press, 2001), pp. 200–15.
Karpeles, E., Painting in Proust: A Visual Companion to Proust’s ‘A la recherche du temps perdu’ (London: Thames & Hudson, 2008).
Lehrer, J., Proust Was a Neuroscientist (Boston and New York: Houghton Mifflin, 2007).
Nattiez, J.- J., Proust as Musician, trans. by Derrick Puffett (Cambridge University Press, 1989).
Prendergast, C., ‘Literature, Painting, Metaphor: Matisse/Proust’, in The Triangle of Representation (New York: Columbia University Press, 2000) pp. 147–59.
Topping, M., ‘Photographic Vision(s) in Marcel Proust’s and Raoul Ruiz’s Le Temps retrouvé’, in A. Watt, ed., Le Temps retrouvé Eighty Years After/80 ans après: Critical Essays/Essais critiques (Bern: Peter Lang, 2009), pp. 309–21.
Tribout-Joseph, S., Proust and Joyce in Dialogue (Oxford: Legenda, 2009).
Self, sex and society
Bowie, M., ‘Self’ and ‘Sex’, in Proust among the Stars (London: HarperCollins, 1998), pp. 1–29 and 209–66.
Cano, C. M., ‘Proust and the Wartime Press’, in A. Watt, ed., Le Temps retrouvé Eighty Years After/80 ans après: Critical Essays/Essais critiques (Bern: Peter Lang, 2009), pp. 133–41.
Carter, W. C., Proust in Love (New Haven, CT and London: Yale University Press, 2006).
Eells, E., Proust’s Cup of Tea: Homoeroticism and Victorian Culture (Aldershot: Ashgate, 2002).
Finch, A., ‘Love, Sexuality and Friendship’, in R. Bales, ed., The Cambridge Companion to Proust (Cambridge University Press, 2001), pp. 168–82.
Girard, R., Deceit, Desire, and the Novel: Self and Other in Literary Structure, trans. by Y. Freccero (Baltimore, MD: Johns Hopkins University Press, 1976).
Hughes, E. J., Marcel Proust: A Study in the Quality of Awareness (Cambridge University Press, 1983).
Hughes, E. J., ‘Hierarchies’, in A. Watt, ed., Le Temps retrouvé Eighty Years After/80 ans après: Critical Essays/Essais