The Canterbury Tales [11]
Tales. In February 1394, the King conferred upon him a grant of L20 a year for life; but he seems to have had no other source of income, and to have become embarrassed by debt, for frequent memoranda of small advances on his pension show that his circumstances were, in comparison, greatly reduced. Things appear to have grown worse and worse with the poet; for in May 1398 he was compelled to obtain from the King letters of protection against arrest, extending over a term of two years. Not for the first time, it is true -- for similar documents had been issued at the beginning of Richard's reign; but at that time Chaucer's missions abroad, and his responsible duties in the port of London, may have furnished reasons for securing him against annoyance or frivolous prosecution, which were wholly wanting at the later date. In 1398, fortune began again to smile upon him; he received a royal grant of a tun of wine annually, the value being about L4. Next year, Richard II having been deposed by the son of John of Gaunt <11> -- Henry of Bolingbroke, Duke of Lancaster -- the new King, four days after hits accession, bestowed on Chaucer a grant of forty marks (L26, 13s. 4d.) per annum, in addition to the pension of L20 conferred by Richard II. in 1394. But the poet, now seventy-one years of age, and probably broken down by the reverses of the past few years, was not destined long to enjoy his renewed prosperity. On Christmas Eve of 1399, he entered on the possession of a house in the garden of the Chapel of the Blessed Mary of Westminster -- near to the present site of Henry VII.'s Chapel -- having obtained a lease from Robert Hermodesworth, a monk of the adjacent convent, for fifty-three years, at the annual rent of four marks (L2, 13s. 4d.) Until the 1st of March 1400, Chaucer drew his pensions in person; then they were received for him by another hand; and on the 25th of October, in the same year, he died, at the age of seventy-two. The only lights thrown by his poems on his closing days are furnished in the little ballad called "Good Counsel of Chaucer," -- which, though said to have been written when "upon his death-bed lying in his great anguish, "breathes the very spirit of courage, resignation, and philosophic calm; and by the "Retractation" at the end of The Canterbury Tales, which, if it was not foisted in by monkish transcribers, may be supposed the effect of Chaucer's regrets and self-reproaches on that solemn review of his life-work which the close approach of death compelled. The poet was buried in Westminster Abbey; <12> and not many years after his death a slab was placed on a pillar near his grave, bearing the lines, taken from an epitaph or eulogy made by Stephanus Surigonus of Milan, at the request of Caxton:
"Galfridus Chaucer, vates, et fama poesis Maternae, hoc sacra sum tumulatus humo." <13>
About 1555, Mr Nicholas Brigham, a gentleman of Oxford who greatly admired the genius of Chaucer, erected the present tomb, as near to the spot where the poet lay, "before the chapel of St Benet," as was then possible by reason of the "cancelli," <14> which the Duke of Buckingham subsequently obtained leave to remove, that room might be made for the tomb of Dryden. On the structure of Mr Brigham, besides a full-length representation of Chaucer, taken from a portrait drawn by his "scholar" Thomas Occleve, was -- or is, though now almost illegible -- the following inscription:--
M. S. QUI FUIT ANGLORUM VATES TER MAXIMUS OLIM, GALFRIDUS CHAUCER CONDITUR HOC TUMULO; ANNUM SI QUAERAS DOMINI, SI TEMPORA VITAE, ECCE NOTAE SUBSUNT, QUE TIBI CUNCTA NOTANT. 25 OCTOBRIS 1400. AERUMNARUM REQUIES MORS. N. BRIGHAM HOS FECIT MUSARUM NOMINE SUMPTUS 1556. <15>
Concerning his personal appearance and habits, Chaucer has not been reticent in his poetry. Urry sums up the traits of his aspect and character fairly thus: "He was of a middle stature, the latter part of
"Galfridus Chaucer, vates, et fama poesis Maternae, hoc sacra sum tumulatus humo." <13>
About 1555, Mr Nicholas Brigham, a gentleman of Oxford who greatly admired the genius of Chaucer, erected the present tomb, as near to the spot where the poet lay, "before the chapel of St Benet," as was then possible by reason of the "cancelli," <14> which the Duke of Buckingham subsequently obtained leave to remove, that room might be made for the tomb of Dryden. On the structure of Mr Brigham, besides a full-length representation of Chaucer, taken from a portrait drawn by his "scholar" Thomas Occleve, was -- or is, though now almost illegible -- the following inscription:--
M. S. QUI FUIT ANGLORUM VATES TER MAXIMUS OLIM, GALFRIDUS CHAUCER CONDITUR HOC TUMULO; ANNUM SI QUAERAS DOMINI, SI TEMPORA VITAE, ECCE NOTAE SUBSUNT, QUE TIBI CUNCTA NOTANT. 25 OCTOBRIS 1400. AERUMNARUM REQUIES MORS. N. BRIGHAM HOS FECIT MUSARUM NOMINE SUMPTUS 1556. <15>
Concerning his personal appearance and habits, Chaucer has not been reticent in his poetry. Urry sums up the traits of his aspect and character fairly thus: "He was of a middle stature, the latter part of