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The Canterbury Tales [227]

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of Croesus in the passage just cited from Boethius. 'What other thing bewail the cryings of tragedies but only the deeds of fortune, that with an awkward stroke, overturneth the realms of great nobley?'" -- in some manuscripts the four "tragedies" that follow are placed between those of Zenobia and Nero; but although the general reflection with which the "tragedy" of Croesus closes might most appropriately wind up the whole series, the general chronological arrangement which is observed in the other cases recommends the order followed in the text. Besides, since, like several other Tales, the Monk's tragedies were cut short by the impatience of the auditors, it is more natural that the Tale should close abruptly, than by such a rhetorical finish as these lines afford.

28. Pedro the Cruel, King of Aragon, against whom his brother Henry rebelled. He was by false pretences inveigled into his brother's tent, and treacherously slain. Mr Wright has remarked that "the cause of Pedro, though he was no better than a cruel and reckless tyrant, was popular in England from the very circumstance that Prince Edward (the Black Prince) had embarked in it."

29. Not the Oliver of Charlemagne -- but a traitorous Oliver of Armorica, corrupted by a bribe. Ganilion was the betrayer of the Christian army at Roncevalles (see note 9 to the Shipman's Tale); and his name appears to have been for a long time used in France to denote a traitor. Duguesclin, who betrayed Pedro into his brother's tent, seems to be intended by the term "Ganilion Oliver," but if so, Chaucer has mistaken his name, which was Bertrand -- perhaps confounding him, as Tyrwhttt suggests, with Oliver du Clisson, another illustrious Breton of those times, who was also Constable of France, after Duguesclin. The arms of the latter are supposed to be described a little above

30. Pierre de Lusignan, King of Cyprus, who captured Alexandria in 1363 (see note 6 to the Prologue to the Tales). He was assassinated in 1369.

31. Bernabo Visconti, Duke of Milan, was deposed and imprisoned by his nephew, and died a captive in 1385. His death is the latest historical fact mentioned in the Tales; and thus it throws the date of their composition to about the sixtieth year of Chaucer's age.

32. The story of Ugolino is told in the 33rd Canto of the "Inferno."



THE NUN'S PRIEST'S TALE.


THE PROLOGUE.


"Ho!" quoth the Knight, "good sir, no more of this; That ye have said is right enough, y-wis,* *of a surety And muche more; for little heaviness Is right enough to muche folk, I guess. I say for me, it is a great disease,* *source of distress, annoyance Where as men have been in great wealth and ease, To hearen of their sudden fall, alas! And the contrary is joy and great solas,* *delight, comfort As when a man hath been in poor estate, And climbeth up, and waxeth fortunate, And there abideth in prosperity; Such thing is gladsome, as it thinketh me, And of such thing were goodly for to tell."

"Yea," quoth our Hoste, "by Saint Paule's bell. Ye say right sooth; this monk hath clapped* loud; *talked He spake how Fortune cover'd with a cloud I wot not what, and als' of a tragedy Right now ye heard: and pardie no remedy It is for to bewaile, nor complain That that is done, and also it is pain, As ye have said, to hear of heaviness. Sir Monk, no more of this, so God you bless; Your tale annoyeth all this company; Such talking is not worth a butterfly, For therein is there no sport nor game; Therefore, Sir Monke, Dan Piers by your name, I pray you heart'ly, tell us somewhat else, For sickerly, n'ere* clinking of your bells, *were it not for the That on your bridle hang on every side, By heaven's king, that for us alle died, I should ere this have fallen down for sleep, Although the slough had been never so deep; Then had your tale been all told in vain. For certainly, as these clerkes sayn, Where as a man may have no audience, Nought helpeth it to telle his sentence. And well I wot the substance is in me, If anything shall
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