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The Canterbury Tales [352]

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in good intent, *listened Till at the last the deade sleep her hent.* *seized

And as she slept, anon right then *her mette* *she dreamed* How that an eagle, feather'd white as bone, Under her breast his longe clawes set, And out her heart he rent, and that anon, And did* his heart into her breast to go'n, *caused Of which no thing she was *abash'd nor smert;* *amazed nor hurt* And forth he flew, with hearte left for heart.

Leaving Cressida to sleep, the poet returns to Troilus and his zealous friend -- with whose stratagems to bring the two lovers together the remainder of the Second Book is occupied. Pandarus counsels Troilus to write a letter to his mistress, telling her how he "fares amiss," and "beseeching her of ruth;" he will bear the letter to his niece; and, if Troilus will ride past Cressida's house, he will find his mistress and his friend sitting at a window. Saluting Pandarus, and not tarrying, his passage will give occasion for some talk of him, which may make his ears glow. With respect to the letter, Pandarus gives some shrewd hints:

"Touching thy letter, thou art wise enough, I wot thou *n'ilt it dignely endite* *wilt not write it haughtily* Or make it with these argumentes tough, Nor scrivener-like, nor craftily it write; Beblot it with thy tears also a lite;* *little And if thou write a goodly word all soft, Though it be good, rehearse it not too oft.

"For though the beste harper *pon live* *alive Would on the best y-sounded jolly harp That ever was, with all his fingers five Touch ay one string, or *ay one warble harp,* *always play one tune* Were his nailes pointed ne'er so sharp, He shoulde maken ev'ry wight to dull* *to grow bored To hear his glee, and of his strokes full.

"Nor jompre* eke no discordant thing y-fere,** *jumble **together As thus, to use termes of physic; In love's termes hold of thy mattere The form alway, and *do that it be like;* *make it consistent* For if a painter woulde paint a pike With ass's feet, and head it as an ape,<32> It *'cordeth not,* so were it but a jape." *is not harmonious*

Troilus writes the letter, and next morning Pandarus bears it to Cressida. She refuses to receive "scrip or bill that toucheth such mattere;" but he thrusts it into her bosom, challenging her to throw it away. She retains it, takes the first opportunity of escaping to her chamber to read it, finds it wholly good, and, under her uncle's dictation, endites a reply telling her lover that she will not make herself bound in love; "but as his sister, him to please, she would aye fain [be glad] to do his heart an ease." Pandarus, under pretext of inquiring who is the owner of the house opposite, has gone to the window; Cressida takes her letter to him there, and tells him that she never did a thing with more pain than write the words to which he had constrained her. As they sit side by side, on a stone of jasper, on a cushion of beaten gold, Troilus rides by, in all his goodliness. Cressida waxes "as red as rose," as she sees him salute humbly, "with dreadful cheer, and oft his hues mue [change];" she likes "all y-fere, his person, his array, his look, his cheer, his goodly manner, and his gentleness;" so that, however she may have been before, "to goode hope now hath she caught a thorn, she shall not pull it out this nexte week." Pandarus, striking the iron when it is hot, asks his niece to grant Troilus an interview; but she strenuously declines, for fear of scandal, and because it is all too soon to allow him so great a liberty -- her purpose being to love him unknown of all, "and guerdon [reward] him with nothing but with sight." Pandarus has other intentions; and, while Troilus writes daily letters with increasing love, he contrives the means of an interview. Seeking out Deiphobus, the brother of Troilus, he tells him that Cressida is in danger of violence from Polyphete, and asks protection
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