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The Captives [109]

By Root 1653 0
thoughts were so strangely wild! The lovely night, yes, purple like Mrs. Mark's curtains and scented oranges, chrysanthemums, boot- polish and candied sugar.--Oh yes! how kind they had been--nice clergyman, fat a little, but young in spite of his white hair, and Aunt Anne in bed under the crucifix struggling and Mr. Crashaw smiling lustfully at Caroline . . . The long black streets, strips of silk and the lamps like fat buttons on a coat, there was a cat! Hist! Hist! A streak of black against black . . . and the Chapel bell ringing and Thomas' fiery eyes . . .

Behind all this confusion there was Martin, Martin, Martin. Creeping nearer and nearer as though he were just behind her, or was it that she was creeping nearer and nearer to him? She did not know, but her heart now was beating so thickly that it was as though giants were wrapping cloth after cloth round it, hot cloths, but their hands were icy cold. No, she was simply excited, desperately, madly excited.

She had never been excited before, and now, with the excitement, there was mingled the strangest hot pain and cold pity. She noticed that now her knees were trembling and that if they trembled much more she would not be able to walk at all.

"Now, Maggie, steady your knees!" she said to herself. But look, the houses now were trembling a little too! Ridiculous those smart houses with their fine doors and white steps to tremble! No, it was her heart, not the houses . . .

"Do I look queer?" she thought; "will people be looking at me?"

Ideas raced through her head, now like horses in the Derby.

"Woof! Poof! Off we go!" St. Dreot's, that square piece of grass on the lawn with the light on it, her clothes, the socks that must be mended, Caroline's silk and the rustle it made, shops, houses, rivers, seas, death--yes, Aunt Anne's cancer . . . and then, with a great upward surge like rising from the depths of the sea after a dive, Martin! Martin, Martin! . . . For a moment then she had to pause. She had been walking too fast. Her heart jumped, then ran a step or two, then fell into a dead pause . . . She went on, seeing now nothing but two lamps that watched her like the eyes of a giant.

She was there! This was a Marble Arch! All by itself in the middle of the road. She crossed to it, first went under it, then thought that he would not see her there so came out and stood, nervously rubbing her gloved hands against one another and turning her head, like a bird, swiftly from side to side. She didn't like standing there. It seemed to make her so prominent. Men stared at her. He should have been there first. He might have known . . . But perhaps Caroline never gave him the letter. At that thought her heart really did stop. She was terrified at once as though some one had told her disastrous news. She would not wait very long; then she would go home . . .

She saw him. He stood only a little away from her staring about him, looking for her. She felt that she had not seen him for years; she drank in his sturdiness, his boyish face, his air of caring nothing for authority. She had not seen his dark blue overcoat before. He stood directly under a lamp, swaying ever so little on his heels, his favourite, most characteristic, movement. He stood there as though he were purposely giving her a portrait that she might remember for the rest of her days. She was too nervous to move and then she wanted that wonderful moment to last, that moment when she had realised that he had come to meet her, that he was there, amongst all those crowds, simply for her, that he was looking for her and wanting her, that he would be bitterly disappointed did she not come . . .

She saw him give a little impatient jerk of the head, the same movement that she had seen him make in Chapel. That jerk set her in motion again, and she was suddenly at his side. She touched his arm; he turned and his eyes lit with pleasure. They smiled at one another and then, without a word, moved off towards the park. He took her arm and put it through his. She felt the warm thick stuff of the blue coat, and
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