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The Captives [77]

By Root 1658 0
her discussions and misgivings. "I'm myself. Nobody can touch me unless I let them."

It was a most lovely evening, very pale and clear with an orange light in the sky like the reflection of some far distant towering fire. The air was still and the rumble of the town scarcely penetrated into their street; they could hear the ugly voice of the little Chapel bell jangling in the heart of the houses, there was a scent of chrysanthemums from somewhere and a very faint suggestion of snow--even before they reached the Chapel door a few flakes lazily began to fall.

Maggie was thinking now only of Martin. There was a gas-lamp already lighted in the Chapel doorway, and this blinded her eyes. She had hoped that he would be there, waiting, so that he might have a word with her before they went in, but when they were all gathered together under the porch she saw with a throb of disappointment that he was not there. She saw no one whom she knew, but it struck her at once that here was a gathering quite different from that of the first time that she had come to the Chapel. There seemed to be more of the servant class; rather they were older women with serious rapt expressions and very silent. There were men too, to-night, four or five gathered together inside the passage, standing gravely, without a word, not moving, like statues. Maggie was frightened. She felt like a spy in an enemy's camp, and a spy waiting for an inevitable detection, with no hope of securing any news. As she went up the aisle behind her aunts her eyes searched for Martin. She could not see him. Their seat was close to the front, and already seated in it were the austere Miss Avies and two lady friends.

Maggie was maliciously pleased to observe that Miss Avies had not expected these additions to her number and was now in danger of an uncomfortable squashing; there was, indeed, a polite little struggle between Miss Avies and Aunt Anne as to who should have the corner with a wooden arm upon which to rest. Miss Avies' two friends, huddled and frightened like fledglings suddenly surprised by a cuckoo, stirred Maggie's sympathy. She disliked Miss Avies from the very first moment. Miss Avies had a pale, thin, pointed face with no eyebrows, grey eyes dim and short-sighted, and fair colourless hair brushed straight back under a hard, ugly black hat.

At the same time she was nervous, emotional, restless; something about her was always moving--her lips, her hands, her shoulders, her eyes. She was fierce and hostile and ineffectual, one felt, so long as she was by herself. Maggie did not, of course, notice all this at the time, but in after years she always looked back on the pale, thin, highly-strung Miss Avies as the motive of most of the events that followed this particular evening. It was as though she felt that Miss Avies' weight, not enough in itself to effect any result, when thrown into the balance just turned everything in one direction. It had that result, at any rate, upon Maggie herself.

She soon lost, however, consideration of Miss Avies in the wider observation of the Chapel and its congregation. It was, as it had been on the occasion of her first visit to it, stuffy, smelling of gas and brick and painted wood, ugly in its bareness and unresponsiveness--and, nevertheless, exciting. The interior of the building had the air of one who has watched some most unusual happenings and expects very shortly to watch them again. Even the harmonium seemed to prick up its wooden ears in anticipation. And to-night the congregation thrilled also with breathless expectation. As Maggie looked round upon them she could see that they were throbbing with the anticipation of some almost sensuous delight. By now they had filled the Chapel to its utmost limits, but there was not one human being there who did not seem to have the appearance of having been especially selected from other less interesting human beings. It was not that the forces that surrounded her were especially interesting, but she felt that all of them had taken on some especial dramatic character from
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