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The Cardinal of the Kremlin - Tom Clancy [79]

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security services viewed it as routine. Three minutes later, on the way to his car, Misha walked into the destruct room. A young sergeant greeted the Colonel as he might have greeted his grandfather, and held open the chute to the incinerator. He watched as the Hero of Stalingrad set down his briefcase and used his crippled arm to open the bag as the good arm elevated it, dumping perhaps a kilogram of classified documents into the gas-fed fire in the Ministry's basement.

He could not have known that he was helping a man destroy evidence of high treason. The Colonel signed off in the log for having destroyed the documents from his section. With a friendly nod, Misha left the burn-bag on its hook and walked out the door to his waiting staff car.

Tonight the ghosts would come again, Misha knew, and tomorrow he'd take steam again, and another package of information would go to the West. On the way to his apartment, the driver stopped off at a special grocery store that was open only to the elite. Here the lines were short. Misha bought some sausage and black bread, and a half-liter bottle of Stolychnaya vodka. In a gesture of comradeliness, he even got one for his driver. For a young soldier, vodka was better than money.

In his apartment fifteen minutes later, Misha extracted his diary from its drawer, and first of all reproduced the diagram appended to Bondarenko's report. Every few minutes he'd spend a second or two looking at the framed photograph of his wife. For the most part, the formal report had tracked with the handwritten one; he had to write only ten new pages, carefully inserting the critical formulae as he went. CARDINAL reports were always models of brevity and clarity, something that came from a lifetime of writing operational directives. When he was finished, he put on a pair of gloves and walked into the kitchen. Magnetically attached to the back side of the steel panel at the bottom of his West German-made refrigerator was a small camera. Misha operated the camera with ease, despite the inconvenience of the gloves. It took only a minute for him to photograph the new diary pages, after which he rewound the film and extracted the film cassette. He pocketed this and replaced the camera in its hiding place before removing the gloves. Next he adjusted the window shades. Misha was nothing if not careful. Close examination of his apartment's door would show scratches on the lock, indicating that it had been picked open by an expert. In fact, anyone could make the scratches. When it was confirmed that his report had reached Washington-tire scuff marks on a predetermined section of curb-he'd tear the pages out of the diary, take them to the Ministry in his pocket, put them in the burn-bag, and dump them down the chute himself. Misha had supervised the installation of the document-destruction system twenty years before.

When the task was complete, Colonel Mikhail Semyonovich Filitov looked again at Elena's picture and asked if he'd done the right thing. But Elena merely smiled as she had always done. All these years, he thought, and it still troubles my conscience. He shook his head. The final part of the ritual followed. He ate sausage and bread while his long-dead comrades of the Great Patriotic War came to visit, but he couldn't bring himself to ask those who had died for their country if he was justified in betraying it. He thought they would understand even better than his Elena, but was afraid to find out. The half-liter of vodka didn't provide the answer either. At least it drugged his brain to insensibility, and he staggered off to bed just after ten, leaving the lights on behind him.

Just after eleven, a car drove by the wide boulevard that fronted the apartment block, and a pair of blue eyes checked the Colonel's windows. It was Ed Foley this time. He noted the shades. On the way to his own flat, another covert message was passed. A Moscow sanitation worker set up a collection of signals. They were innocuous things, a chalk mark on a lamp post, for example, each of which would tell a part of the cutout

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