The Caryatids - Bruce Sterling [18]
He told her it was “negative equity.”
Montalban, her strange brother-in-law, was a Dispensation policy wonk. He was cram-full of crisp, net-gathered, due-diligence knowledge. He was tall and elegant and persuasively talkative, with wavy black hair, suntanned olive skin, and sharp, polished teeth: big Hollywood film-star teeth like elephant ivory. His floral tourist shirt, his outdoor sandals, his multipocketed tourist pants: they were rugged and yet scarily clean. They seemed to repel dirt with some built-in chemical force.
No Dispensation activist would ever wear an Acquis neural helmet, so Vera could not know how Montalban truly felt about her and this dark meeting. Still, Montalban kept up a steady flow of comforting chatter.
Legend said that the raider ships of Ulysses had once moored in Mljet to encounter the nymph Calypso. Montalban knew about this. He judged the myth “not too unlikely.” He claimed that Homer’s Ulysses had “means, motive, and opportunity to swap his loot from Troy.”
Montalban further knew that Mljet had been a thriving resort island in the days of the Roman Empire. He was aware that “medieval developers” had once built monasteries on the island, and that some of those stone piles were still standing and “a likely revenue source if repurposed.”
Montalban entertained some firm opinions about the long-vanished Austro-Hungarian Empire and its “autocratic neglect of the Balkan hinterlands.” He even knew that the “stitched-up nation of Yugoslavia” had preserved Mljet as its stitched-up national park.
When it came to more recent history—years during Vera’s own lifetime—Montalban changed his tone. He became gallant and tactful. Her native island had been “abducted,” as he put it: as “an offshore market for black globalization.” Montalban said nothing about the eighteen dark years that his own wife had spent on Mljet. He said nothing about Radmila whatsoever. Montalban was so entirely silent and discreet about Radmila that Vera felt dazed.
Moving onto firmer ground with a burst of verbal footwork, Montalban launched into a complex narrative, full of alarming details, describing how the Acquis had managed to acquire Mljet to perform their neural experiments. Vera herself had never known half of these stories—they existed at some networked level of global abstraction that she and her fellow cadres rarely encountered. The details of Acquis high-level committees were distant events for them, something like astronomy or Martian exploration, yet Montalban knew a host of astonishing things about the doctrines and tactics of both the global civil societies. Most particularly, Montalban seemed to know where their money went.
Vera felt grateful for the way events were turning out. Vera had no money—because Mljet had no money economy—but if she’d had any money, she’d have cheerfully entrusted it to someone like Montalban. Montalban was so entirely and devotedly obsessed by money that he had to be really good at banking.
Radmila’s husband was nothing like she had imagined and vaguely feared. Met in the suntanned flesh, he exuded wealth like some kind of cologne. Montalban was clearly the kind of man that rich clients could trust to work through huge, intimidating files of complex financial documents. There was something smooth and painless and lubricated about him.
When he sensed that his ceaseless flow of insights was tiring her, Montalban busied himself with his camera. He adjusted its tiny knobs and switches. He deftly framed his shots. He beachcombed through the wild overgrowth of the shore, a dense shady tangle of flowering shrubs thoroughly mixed with tattered urban junk. The summer glare bounced from his fancy spex, and when he removed his busy lenses, he had darting, opaque black eyes.
Busily documenting the wreck of Polace, Montalban urged her to “go right about your normal labors.”
This was his gentle reproach for the way she had chosen to confront him and his little girl: defiantly towering