The Catcher in the Rye - J.D. Salinger [28]
"Me? I'm in a phone booth."
"Oh," she said. Then there was this very long pause. "Well, I'd like awfully to get together with you sometime, Mr. Cawffle. You sound very attractive. You sound like a very attractive person. But it is late."
"I could come up to your place."
"Well, ordinary, I'd say grand. I mean I'd love to have you drop up for a cocktail, but my roommate happens to be ill. She's been laying here all night without a wink of sleep. She just this minute closed her eyes and all. I mean."
"Oh. That's too bad."
"Where ya stopping at? Perhaps we could get together for cocktails tomorrow."
"I can't make it tomorrow," I said. "Tonight's the only time I can make it." What a dope I was. I shouldn't've said that.
"Oh. Well, I'm awfully sorry."
"I'll say hello to Eddie for you."
"Willya do that? I hope you enjoy your stay in New York. It's a grand place."
"I know it is. Thanks. Good night," I said. Then I hung up.
Boy, I really fouled that up. I should've at least made it for cocktails or something.
10
IT WAS still pretty early. I'm not sure what time it was, but it wasn't too late. The one thing I hate to do is go to bed when I'm not even tired. So I opened my suitcases and took out a clean shirt, and then I went in the bathroom and washed and changed my shirt. What I thought I'd do, I thought I'd go downstairs and see what the hell was going on in the Lavender Room. They had this night club, the Lavender Room, in the hotel.
While I was changing my shirt, I damn near gave my kid sister Phoebe a buzz, though. I certainly felt like talking to her on the phone. Somebody with sense and all. But I couldn't take a chance on giving her a buzz, because she was only a little kid and she wouldn't have been up, let alone anywhere near the phone. I thought of maybe hanging up if my parents answered, but that wouldn't've worked, either. They'd know it was me. My mother always knows it's me. She's psychic. But I certainly wouldn't have minded shooting the crap with old Phoebe for a while.
You should see her. You never saw a little kid so pretty and smart in your whole life. She's really smart. I mean she's had all A's ever since she started school. As a matter of fact, I'm the only dumb one in the family. My brother D.B.'s a writer and all, and my brother Allie, the one that died, that I told you about, was a wizard. I'm the only really dumb one. But you ought to see old Phoebe. She has this sort of red hair, a little bit like Allie's was, that's very short in the summertime. In the summertime, she sticks it behind her ears. She has nice, pretty little ears. In the wintertime, it's pretty long, though. Sometimes my mother braids it and sometimes she doesn't. It's really nice, though. She's only ten. She's quite skinny, like me, but nice skinny. Roller-skate skinny. I watched her once from the window when she was crossing over Fifth Avenue to go to the park, and that's what she is, roller-skate skinny. You'd like her. I mean if you tell old Phoebe something, she knows exactly what the hell you're talking about. I mean you can even take her anywhere with you. If you take her to a lousy movie, for instance, she knows it's a lousy movie. If you take her to a pretty good movie, she knows it's a pretty good movie. D.B. and I took her to see this French movie, The Baker's Wife, with Raimu in it. It killed her. Her favorite is The 39 Steps, though, with Robert Donat. She knows the whole goddam movie by heart, because I've taken her to see it about ten times. When old Donat comes up to this Scotch farmhouse, for instance, when he's running away from the cops and all, Phoebe'll say right out loud in the movie—right when the Scotch guy in the picture says it—"Can you eat the herring?" She knows all the talk by heart. And when this professor in the picture, that's really a German spy, sticks up his little finger with part of the middle joint missing, to show Robert Donat, old Phoebe beats him to it—she holds up her little finger at me in the dark, right in front of my face. She's all right. You'd like