The Caves of Perigord_ A Novel - Martin Walker [0]
America Reborn
The President We Deserve
The Cold War
Martin Walker’s Russia
The Waking Giant
Powers of the Press
The Eastern Question
The Money Soldiers
The Infiltrator
The National Front
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 2002 by Martin Walker
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ISBN 0-7432-2768-9
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The Caves of Périgord
Chapter One
Time: The Present
Every interesting woman has a private smile, and Lydia Dean was startled by a brief, tantalizing glimpse of her own. Its reflection suddenly flashed on the glass covering a poster as she entered her cramped attic office, then it faded. She might almost have imagined it, and certainly there was no cause to smile. Determined not to show how much the interview with Justin had upset her, she closed the door firmly behind her and contemplated the imminent ruin of her empire. Yet for the first time that day, and despite the faint dismay at the prospect of unemployment, she felt her spirits lifting. It was a wry mood, inspired mainly by her sense of the ridiculous. Lydia never ceased to be amazed at the odd way her mind worked, the portentous phrases that suddenly popped into her thoughts. Empire? Ruin of Empire? She was simply facing the loss of a job that she did not much enjoy, although it allowed her to combine a career in art with a decent income.
It was a kind of empire, she mused, as she gazed at the map of the ancient world that hung on her wall. Her territory stretched from ancient Greece back to the dawn of time, from the plains of India to the Pillars of Hercules. From Hittites to Hammurabi, she had traveled it and researched it, and could read some of its dead languages. As a student she had dug into its archaeological sites, extracted shards of pottery from harsh earth, and even sacrificed her toothbrush to scrub them clean. And now, despite her new skill at fending off passes from politically connected Ministers of Culture who could barely spell the word, she was trying, and probably failing, to make a living from it.
Why on earth had she been so self-indulgent, so intellectually lazy when she first came back to England to go to graduate school? She chided herself, an internal and critical dialogue she was conducting more and more frequently. Art history was not a real subject, not like law or computing, or even business. Perhaps she should have concentrated on archaeology, she thought, until disagreeable memories surfaced of muddy campsites, a sore back, and amorous fellow-diggers who smelled rank. Certainly she should never have given up the research at the institute into the medieval art she really loved. Money was not everything. But the mortgage had to be paid each month. And today it had been made subtly clear that the auction house was unlikely to keep on paying her handsome salary as long as the market in her field remained so dismally, so unprofitably flat. Preclassical art meant everything before the Greeks and Romans. From Ancient Egypt to Babylon, Persepolis to the Holy Land, Lydia’s empire covered continents and millennia, and yet never managed to bring in the sales and commissions that even the most obscure Impressionist painter could command.
“You—or rather your field—hmmm—not looking too promising, I’m afraid,” the department head had mumbled over her modest list of proposals for the coming year. Like so many Englishmen, Justin spoke in irritating circumlocutions, as if grim news were best delivered impersonally.