The Caves of Perigord_ A Novel - Martin Walker [5]
“No,” said Lydia firmly. “I strongly suggest you leave it with me, and I shall give you a receipt, and ask one or two experts in the field where it might have come from. If your father found it in 1944, there were then very few painted caves. Lascaux was only found in 1940. If it comes from this region, or from the Spanish caves at Altamira, they’ll identify it quickly enough. If not, we’ll have to think again about its provenance. But the style says Lascaux, and so does your father’s estimate about its age. But even if it comes from somewhere altogether different, I don’t think you would be able to sell it, not publicly at least.”
“How long would these consultations take?” he asked. “And how long would you want to keep the rock?”
“I’ll photograph it digitally, and send that with an e-mail to two or three people. I should hear something within a day or two. Just to be sure, I’ll send copies to an expert on the Hagar paintings, and check out one or two more possibles. I’m not an expert on Cro-Magnon man, but I know the people who are.”
“Cro-Magnon, was he the one with the low, thick forehead, the missing link back to the apes?”
“No, absolutely not. Cro-Magnon man had a skull and brain cavity not unlike our own, and in creating these cave paintings he gave us the first recognizable human culture. He replaced—and we are not sure how—Neanderthal man, who did have a low, thick brow. But even his brain capacity was just as big as ours—even bigger, I seem to recall. I’m not even sure we know whether or not the two types could interbreed.” Lydia was suddenly aware that Manners was watching one of her more irritating habits, twisting a lock of her hair around and around a single finger as she talked. She only did it when she was nervous. She dropped her arm to her side and spoke quickly. “Would you like me to give you a receipt for this, or do you want to take it away with you? I’d like to photograph it anyway, if I may.”
He leaned back casually, perched on the table, and for the first time he smiled openly at her. It was a very agreeable smile, with no guile in it. “But if you can’t sell it for me, why would you want to go to all this bother? Why not just refer me to a museum and save yourself the effort?”
“Perhaps I should,” she said, and gave her coolest, most professional smile in return. “I suppose that having come across this, and suspecting what it might be, I feel rather responsible. If it has been wrenched away from a cave wall, I think we ought to try to get it back.”
“Do you feel the same about statues from Egyptian temples and giving the Elgin marbles back to Greece?” His tone was curious, rather than aggressive.
“There are few hard and fast rules about this. The Elgin marbles were bought and exported under the legal rules of the time, and have been better cared for in the British Museum than they might have been in Athens in the past. And that is a case where political issues will probably outweigh any artistic argument. But if somebody in my profession knows something had been taken illegally from a tomb or a temple—or a cave—then we have a sort of ethical code that says we do not deal in it and alert the proper authorities. The laws against trafficking in stolen goods certainly apply to the art world, and there is also a moral consideration, particularly about something such as this.” She gestured at the rock.
“Would all your colleagues here, or at other auction houses, take the same attitude? Or is this a particularly American ethic, to do with fear of lawsuits?”
“I certainly hope my colleagues would take the same view, on either side of the Atlantic. This is not about lawsuits, but about fair dealing,” she said crisply, suddenly wondering whether the whole thing had been some kind of test arranged by her management. “Now, would you like that receipt?”
“Yes, please,” he said. “And I have to be back in town on Friday. If I came in at about midday, perhaps I could take you to lunch?” He smiled again. “You have been helpful above and beyond the call of duty.”