The Children's Book - A. S. Byatt [173]
“They need to feel like gloves, Elsie. They need to support all those tiny little bones that do so much work in the arch of your foot, and you need to be able to move all your toes, without feeling you’re wearing a shoe-box instead of a shoe. I myself like this black pair with the little heel best. At a pinch—or not at a pinch—they have a certain elegance—severe but fine—and yet I am sure they will be serviceable.”
Elsie agreed to buy those shoes and was prepared to walk back to Purchase House in them. Methley told her she must not. “Wear them every day for a short time, until you and they know each other. You need to warm and stretch them, little by little. To make them yours. May I walk back to Purchase House with you? I was out for a stroll anyway, and should like the company.”
Elsie was confused. Herbert Methley was, in her eyes, old, part of the father’s generation. Maybe his friendliness and—and—assiduity were fatherly, though she didn’t think so. He was much uglier than Geraint, and much more interested and interesting than Geraint. She had change from Geraint’s half-crowns, though not the price of the red belt. She said she would be glad if he walked back with her, and then he produced, like a conjuror, a small parcel, tied with string.
“For you,” he said. “Open it.”
It was, of course, the red belt.
“I can’t.”
“Why not? It isn’t often that one can surprise someone with their heart’s desire. And you are quite right, you have excellent taste, it is a lovely belt.”
It was shaped to sit on the hips, and point downwards, like an arrow, between them. Herbert Methley insisted on fastening it round her, his long hands, very briefly, echoing its form, lingering a few seconds, pointing down.
After this they walked back, over the Marsh, side by side, aware of each other. Methley said
“I wonder if you would mind very much if I put your feet—and your shoes—into a novel I am writing? They are just what I need as a solid example—”
“Example of what?” Elsie asked, neither pleased nor displeased.
“It’s a novel about—about what’s wrong with women’s lives. Women’s clothing is a form of oppression and confinement.”
Elsie considered the jump of subject from shoes to freedom. She said she’d never had occasion to think about these things. She had too much to do, she almost said, and restrained herself, for she felt the sentence would sound silly.
“But you should think, Elsie. Why should your brother be in gay Paris, and you here as a domestic slave, with no shoes?”
“He’s a real good potter. I’m not.”
“Have you ever thought what you might be, if you had a real choice?”
“There’s no point,” said Elsie.
She thought about her discontent, making ends meet for those feckless and aimless females in Purchase House. She thought of the pantry, full of lascivious pots. There were several in which the female figure lay back with her fingers between her legs, at the spot towards which the arrow on the new red belt was pointing. She was aroused and disturbed—not entirely pleasantly—by Herbert Methley. He stirred her up, as Geraint, and the fisher-boy, did not. She needed to keep her head.
“And what is to happen to your—your character with no shoes? Does she