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The Chinese in America - Iris Chang [5]

By Root 1367 0
lives to this country with citizenship as their goal, none can truly get past the distinction of race or entirely shake the perception of being seen as foreigners in their own land. Not until many years later did I learn that this very question has been posed to numerous prominent ethnic Chinese throughout American history, ranging from a brilliant aeronautics professor to a political candidate for Congress. Indeed, the attitudes and assumptions behind this question would later drive much of the anti-Chinese antagonism I have had to describe to make this book an honest chronicle of the Chinese experience in the United States. My classmate unwittingly planted the seed in my psyche that grew into this book.

But it was not until the mid-1990s, when my husband and I moved to the San Francisco Bay Area, that I really became interested in the history and complexity of the Chinese American population. I learned about a nonprofit organization that would later be known as the Global Alliance for Preserving the History of World War II in Asia, whose mission was to educate the world about the unrecognized wartime horrors committed by Japan in the Pacific theater. For the first time in my life, I met Chinese Americans who were not simply academics or scientific professionals, but committed activists, driven by idealism I had seen only in organizations such as Amnesty International and the American Civil Liberties Union. These Chinese Americans, working with leaders of other ethnic groups, were outspoken on a wide range of human rights abuses around the globe. Learning from them led me to write The Rape of Nanking, about the rape and massacre of hundreds of thousands of Chinese civilians in the former capital of China.

As I toured the United States and Canada giving talks on the subject, I encountered vibrant Chinese American communities that I had not even known existed. The people I met ranged from descendants of transcontinental railroad workers to new immigrants studying here on scholarships, from illiterate factory workers to Nobel laureates at leading universities, from elderly survivors of Japanese wartime atrocities to baby girls adopted by white parents. I had the privilege of talking with several Chinese Americans whose work had transformed entire industries or intellectual disciplines, such as David Henry Hwang, the Tony Award-winning playwright of M. Butterfly; David Ho, a preeminent medical researcher whose antiviral drugs have helped thousands of AIDS victims; and David Chu, head of the Nautica fashion empire.

Soon I learned that all across the United States, Chinese American groups were busy organizing to talk about themselves, their history, and their future, and to make their presence heard in American society. The Autry Museum of Western Heritage in Los Angeles was preparing a huge exhibit about the Chinese in America. A new museum of Chinese American history was scheduled to open also in Los Angeles. The Chinese community in San Francisco was lobbying for better preservation of the poetry written on the walls of Angel Island, where newly arrived Chinese immigrants were detained and interrogated during the early decades of the twentieth century. Chinese American researchers were demanding full access to the immigration case files stored in the National Archives in San Bruno, California. And new ethnic magazines geared toward younger Chinese and Asian Americans, such as A, Monolid, Face, and Jade, proliferated. It seemed to me there was a big, exciting story to be told.

At first, I feared the subject might too broad, but I couldn’t let go of the idea of exploring the history of my people. Moreover, I believed I had a personal obligation to write an honest history of Chinese America, to dispel the offensive stereotypes that had long permeated the U.S. news and entertainment media. Saturday morning cartoons flattened the Chinese into buck-toothed, pigtailed caricatures, with slanted dashes for eyes. Elementary school libraries were still carrying racist, out-of-date textbooks, with images and descriptions of the Chinese

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