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The Choir Invisible [55]

By Root 755 0
trees--the garden--and took the path toward the house.

"Where shall I find her?" he thought. "Where can I see her alone?"

"Between him and the house stood a building of logs and plaster. It was a single room used for the spinning and the weaving of which she had charge. Many a time he had lain on the great oaken chest into which the homespun cloth was stored while she sat by her spinning-wheel; many a talk they had had there together, many a parting; and many a Saturday twilight he had put his arms around her there and turned away for his lonely walk to town, planning their future. "If she should only be in the weaving-room!"

He stepped softly to the door and looked in. She was there-- standing near the middle of the room with her face turned from him. The work of the day was done. On one side were the spinning-wheels, farther on a loom; before her a table on which the cloth was piled ready to be folded away; on the other the great open chest into which she was about to store it. She had paused in revery, her hands clasped behind her head.

At the sight of her and with the remembrance of how he had misjudged and mistreated her--most of all swept on by some lingering flood of the old tenderness--he stepped forward put his arms softly around her, drew her closely to him, and buried his check against hers:

"Amy!" he murmured, his voice quivering his whole body trembling, his heart knocking against his ribs like a stone. She struggled out of his arms with a cry and recognizing him, drew her figure up to its full height. Her eyes filled with passion, cold and resentful.

He made a gesture.

"Wait!" he cried. "Listen."

He laid bare everything--from his finding of the bundle to the evening of the ball.

He was standing by the doorway. A small window in the opposite wall of the low room opened toward the West. Through this a crimson light fell upon his face revealing its pallor, its storm, its struggle for calmness.

She stood a few yards off with her face in shadow. As she had stepped backward, one of her hands had struck against her spinning-wheel and now rested on it; with the other she had caught the edge of the table. From the spinning-wheel a thread of flax trailed to the ground; on the table lay a pair of iron shears.

As he stood looking at her facing him thus in cold half-shadowy anger--at the spinning wheel with its trailing flax--at, the table with its iron shears--at her hands stretched forth as if about to grasp the one and to lay hold on the other--he shudderingly thought of the ancient arbitress of Life and Death--Fate the mighty, the relentless. The fancy passed and was succeeded by the sense of her youth and loveliness. She wore a dress of coarse snow-white homespun, narrow in the skirt and fitting close to her arms and neck and to the outlines of her form. Her hair was parted simply over her low beautiful brow. There was nowhere a ribbon or a trifle of adornment: and in that primitive, simple, fearless revelation of itself her figure had the frankness of a statue. While he spoke the anger died out of her face. But in its stead came something worse--hardness; and something that was worse still--an expression of revenge.

"If I was unfeeling with you," he implored, "only consider! You had broken your engagement without giving any reason; I saw you at the party dancing with Joseph; I believed myself trifled with, I said that if you could treat in that way there was nothing you could say that I cared to hear. I was blind to the truth; I was blinded by suffering.

"If you suffered, it was your own fault," she replied, calm as the Fate that holds the shears and the thread. "I wanted to explain to you why I broke my engagement and why I went with Joseph: you refused to allow me."

"But before that! Remember that I had gone to see you the night before. You had a chance to explain then. But you did not explain. Still, I did not doubt that your reason was good. I did not ask you to state it. But when I saw you at the party with Joseph, was I not right, in thinking that the time for an
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