The City of Domes [56]
in chariot; Fame, with olive branches; Ictinius, builder of Parthenon, leads procession of devotees.
Three panels, repeated on five sides of rotunda.
Decorative figure, man and woman alternating, between panels, repeated around rotunda.
Corinthian columns, ochre grouped with pale green ones; capitals of burnt orange.
Flower boxes by Ulric H. Ellerhusen; women at corners. Original plan was to have vines from boxes droop over, shoulders of women. Architect's purpose in attitude of women to suggest sadness of art.
Roman vases, eight or ten feet high around colonnade. Massive and graceful detail.
Sculpture Outside Fine Arts Palace Beginning at Northeast Corner of Lagoon
North of Lagoon
The Illustrious Obscure, by Robert Paine. (Fountain on island at north end of lagoon.)
Whaleman, by Bela L. Pratt.
Garden Group by Anna Coleman Ladd.
Dying Lion, by Paul Wayland Bartlett.
Garden Figure, Nymph, by Edmond T. Quinn.
Fragment of "Fountain of Time," by Lorado Taft. Representing the troubled generations.
Roadway to Right Before Entering Circle
Bird Fountain, by Caroline Risque.
The First Mother, by Victor S. Holm.
Circle at North End of Peristyle
Mother of the Dead, by C. S. Pietro. (Lagoon side of circle.)
Chief Justice Marshall, by Herbert Adams. (In walk.)
Destiny, by C. P. Dietsch.
Sundial, by Edward Berge.
Head of Lincoln, by A. A. Weinman.
Fountain Groups, by Anna Coleman Ladd. Sun-God and Python, Water Sprites, and Triton Babies. (To right.)
Sundial, by Gail Sherman Corbett.
Daughter of Pan, by R. Hinton Perry.
Boy Pan with Frog, by Clement J. Barnhorn,
Bondage, by Carl Augustus Heber. (Only feminist note in the grounds.)
Saki, Sundial, by Harriet W. Frishmuth. (In walk.)
Great Danes, by Anna Vaughan Hyatt.
Young Diana, by Janet Scudder.
Flower Urns, base of building along colonnade; Greek figures with garlands. Ulric H. Ellerhusen.
Wall of building facing colonnade, seventeen feet high. Acacia blooming there, suggesting over-growth, relieves severe lines of architecture. Broken by small doors, at corners decorated with spears. Doors suggest Greek design.
Corinthian columns and pilasters; harmony of color, smoked ivory and ochre, with shades of green in foliage.
Urns, on the wall on either side of the doorways and in the rotunda, designed by William G. Merchant. Suggested by urns in the Vatican, Rome.
North Peristyle (curved part colonnade north of rotunda).
Maiden of the Roman Campagna, by Albin Polasek. (To left.) Fountain: Duck baby, by Edith Barretto Parsons.
A Fawn's Toilet, by Attilio Piccirilli.
Apollo, by Haig Patigian. (To right.)
The Scalp, by Edward Berge. (To left.)
Primitive Man, by Olga Popoff Muller.
Youth, by Victor D. Salvatore. (To right.)
Soldier of Marathon, by Paul Noquet. (To left.)
Fountain: Fighting Boys, by Janet Scudder.
Garden Figure, by Edith Woodman Burroughs. (To right.)
L'Amour, by Evelyn Beatrice Longman. (To right.)
Returning from the Hunt, by John J. Boyle. (To left.)
Boy with Fish, by Bela L. Pratt. (To right.)
The Centaur, by Olga Popoff Muller.
The Sower, by Albin Polasek.
Beyond, by Chester Beach. (By main doorway.)
Aspiration, by Leo Lentelli. (Over main doorway.)
Pioneer Mother Monument, by Charles Grafly. (Before main doorway.)
Portrait of a Boy, by Albin Polasek. (Outside west archway.)
The Awakening, by Lindsey Morris Sterling. (Outside west archway.)
"Sculpture," relief on walls of west archway. Bela L. Pratt.
Rotunda, Entrance Through North Archway
William Cullen Bryant, by Herbert Adams. (At northwest archway.)
Lafayette, by Paul Weyland Bartlett. (Center of rotunda.)
The Young Franklin, by Robert Tait.
Princeton Student Memorial, by Daniel Chester French.
"Architecture," relief by Richard H. Recchia.
Commodore John Barry, by John J. Boyle.
"Architecture," relief by Richard H. Recchia.
Lincoln, by Daniel Chester French.
Thomas Jefferson, by Karl
Three panels, repeated on five sides of rotunda.
Decorative figure, man and woman alternating, between panels, repeated around rotunda.
Corinthian columns, ochre grouped with pale green ones; capitals of burnt orange.
Flower boxes by Ulric H. Ellerhusen; women at corners. Original plan was to have vines from boxes droop over, shoulders of women. Architect's purpose in attitude of women to suggest sadness of art.
Roman vases, eight or ten feet high around colonnade. Massive and graceful detail.
Sculpture Outside Fine Arts Palace Beginning at Northeast Corner of Lagoon
North of Lagoon
The Illustrious Obscure, by Robert Paine. (Fountain on island at north end of lagoon.)
Whaleman, by Bela L. Pratt.
Garden Group by Anna Coleman Ladd.
Dying Lion, by Paul Wayland Bartlett.
Garden Figure, Nymph, by Edmond T. Quinn.
Fragment of "Fountain of Time," by Lorado Taft. Representing the troubled generations.
Roadway to Right Before Entering Circle
Bird Fountain, by Caroline Risque.
The First Mother, by Victor S. Holm.
Circle at North End of Peristyle
Mother of the Dead, by C. S. Pietro. (Lagoon side of circle.)
Chief Justice Marshall, by Herbert Adams. (In walk.)
Destiny, by C. P. Dietsch.
Sundial, by Edward Berge.
Head of Lincoln, by A. A. Weinman.
Fountain Groups, by Anna Coleman Ladd. Sun-God and Python, Water Sprites, and Triton Babies. (To right.)
Sundial, by Gail Sherman Corbett.
Daughter of Pan, by R. Hinton Perry.
Boy Pan with Frog, by Clement J. Barnhorn,
Bondage, by Carl Augustus Heber. (Only feminist note in the grounds.)
Saki, Sundial, by Harriet W. Frishmuth. (In walk.)
Great Danes, by Anna Vaughan Hyatt.
Young Diana, by Janet Scudder.
Flower Urns, base of building along colonnade; Greek figures with garlands. Ulric H. Ellerhusen.
Wall of building facing colonnade, seventeen feet high. Acacia blooming there, suggesting over-growth, relieves severe lines of architecture. Broken by small doors, at corners decorated with spears. Doors suggest Greek design.
Corinthian columns and pilasters; harmony of color, smoked ivory and ochre, with shades of green in foliage.
Urns, on the wall on either side of the doorways and in the rotunda, designed by William G. Merchant. Suggested by urns in the Vatican, Rome.
North Peristyle (curved part colonnade north of rotunda).
Maiden of the Roman Campagna, by Albin Polasek. (To left.) Fountain: Duck baby, by Edith Barretto Parsons.
A Fawn's Toilet, by Attilio Piccirilli.
Apollo, by Haig Patigian. (To right.)
The Scalp, by Edward Berge. (To left.)
Primitive Man, by Olga Popoff Muller.
Youth, by Victor D. Salvatore. (To right.)
Soldier of Marathon, by Paul Noquet. (To left.)
Fountain: Fighting Boys, by Janet Scudder.
Garden Figure, by Edith Woodman Burroughs. (To right.)
L'Amour, by Evelyn Beatrice Longman. (To right.)
Returning from the Hunt, by John J. Boyle. (To left.)
Boy with Fish, by Bela L. Pratt. (To right.)
The Centaur, by Olga Popoff Muller.
The Sower, by Albin Polasek.
Beyond, by Chester Beach. (By main doorway.)
Aspiration, by Leo Lentelli. (Over main doorway.)
Pioneer Mother Monument, by Charles Grafly. (Before main doorway.)
Portrait of a Boy, by Albin Polasek. (Outside west archway.)
The Awakening, by Lindsey Morris Sterling. (Outside west archway.)
"Sculpture," relief on walls of west archway. Bela L. Pratt.
Rotunda, Entrance Through North Archway
William Cullen Bryant, by Herbert Adams. (At northwest archway.)
Lafayette, by Paul Weyland Bartlett. (Center of rotunda.)
The Young Franklin, by Robert Tait.
Princeton Student Memorial, by Daniel Chester French.
"Architecture," relief by Richard H. Recchia.
Commodore John Barry, by John J. Boyle.
"Architecture," relief by Richard H. Recchia.
Lincoln, by Daniel Chester French.
Thomas Jefferson, by Karl