The City & the City - China Mieville [105]
The man must have heard the sound of my step. I had come within a few tens of metres when he turned. His eyes widened in astonishment at the sight of me, which, careful even then, he did not hold. He registered me. He looked back into Besźel and sped up, trotting diagonally away toward ErmannStrász, a high street, behind a Kolyub-bound tram. In Ul Qoma, the road we were on was Saq Umir Way. I accelerated too.
He glanced back again and went faster, jogging through the Besź crowds, looking quickly to either side into the cafés lit by coloured candles, into the bookshops of Besźel—in Ul Qoma these were quieter alleys. He should have entered a shop. Perhaps he did not because there were crosshatched crowds he would have to negotiate on both pavements, perhaps his body rebelled at dead ends, cul-de-sacs, while pursued. He began to run.
The murderer ran left, into a smaller alley, where still I followed him. He was fast. He was faster than me now. He ran like a soldier. The distance between us grew. The stallholders and walkers in Besź stared at the killer; those in Ul Qoma stared at me. My quarry vaulted a bin that blocked his way, with greater ease than I knew I would manage. I knew where he was going. The Old Towns of Besźel and Ul Qoma are closely crosshatched: reach their edges, separations begin, alter and total areas. This was not, could not be, a chase. It was only two accelerations. We ran, he in his city, me close behind him, full of rage, in mine.
I shouted wordlessly. An old woman stared at me. I was not looking at him, I was still not looking at him, but fervently, legally, at Ul Qoma, its lights, graffiti, pedestrians, always at Ul Qoma. He was by iron rails curled in traditional Besź style. He was too far. He was by a total street, a street in Besźel only. He paused to look up in my direction as I gasped for breath.
For that sliver of time, too short for him to be accused of any crime, but certainly deliberate, he looked right at me. I knew him, I did not know from where. He looked at me at the threshold to that abroad-only geography and made a tiny triumphant smile. He stepped toward space where no one in Ul Qoma could go.
I raised the pistol and shot him.
I SHOT HIM IN THE CHEST. I saw his astonishment as he fell. Screaming from everywhere, at the shot, first, then his body and the blood, and almost instantly from all the people who had seen, at the terrible kind of transgression.
“Breach.”
“Breach.”
I thought it was the shocked declaration by those who had witnessed the crime. But unclear figures emerged where there had been no purposeful motion instants before, only the milling of no ones, the aimless and confused, and those suddenly appeared newcomers with faces so motionless I hardly recognised them as faces were saying the word. It was statement of both crime and identity.
“Breach.” A grim-featured something gripped me so that there was no way I could break out, had I wanted to. I glimpsed dark shapes draped over the body of the killer I had killed. A voice close up to my ear. “Breach.” A force shoving me effortlessly out of my place, fast fast past candles of Besźel and the neon of Ul Qoma, in directions that made sense in neither city.
“Breach,” and something touched me and I went under into black, out of waking and all awareness, to the sound of that word.
Part Three
BREACH
Chapter Twenty-Three
IT WAS NOT A SOUNDLESS DARK. It was not without intrusions. There were presences within it that asked me questions I could not answer, questions I was aware of as urgencies at which I failed. Those voices again and again said to me, Breach. What had touched me sent me not into mindless silence but into a dream arena where I was quarry.
I REMEMBERED THAT LATER. In the moment I woke