The City & the City - China Mieville [58]
At ground level, though, where the wide road jutted into the first set of gates and wire, where the Besź Border Patrol waved arrivals to a stop in their separated lines—pedestrians, handcarts, and animal-drawn trailers, squat Besź cars, vans, sub-lines for various kinds of passes, all moving at different speeds, the gates rising and lowering out of any phase—the situation was simpler. An unofficial but ancient market where Copula Hall vents into Besźel, within sight of the gates. Illegal but tolerated street hawkers walked the lines of waiting cars with roasted nuts and paper toys.
Beyond the Besźel gates, below the main mass of Copula Hall, a no-man’s-land. The tarmac was unpainted: this was neither a Besź nor an Ul Qoman thoroughfare, so what system of road markings would be used? Beyond towards the other end of the hall the second set of gates, which we on the Besźel side could not but notice were better kept than our own, with weapon-wielding Ul Qoman guards staring, most of them away from us at their own efficiently shepherded lines of visitors to Besźel. Ul Qoman border guards are not a separate wing of government, as they are in Besźel: they are militsya, police, like the policzai.
It is bigger than a coliseum, but Copula Hall’s traffic chamber is not complicated—an emptiness walled by antiquity. From the Besźel threshold you can see over the crowds and crawling vehicles to daylight filtering in from Ul Qoma, beyond. You can see the bobbing heads of Ul Qoman visitors or returning fellow countrymen approaching, the ridges of Ul Qoman razorwire beyond the hall’s midpoint, beyond that empty stretch between checkpoints. You can just make out the architecture of Ul Qoma itself through the enormous gateway hundreds of metres off. People strain to see, across that junction.
On our way there I had had the driver take us, to his raised eyebrows, a long way round to the Besźel entrance on a route that took us on KarnStrász. In Besźel it is an unremarkable shopping street in the Old Town, but it is crosshatched, somewhat in Ul Qoma’s weight, the majority of buildings in our neighbour, and in Ul Qoma its topolganger is the historic, famous Ul Maidin Avenue, into which Copula Hall vents. We drove as if coincidentally by the Copula Hall exit into Ul Qoma.
I had unseen it as we took KarnStrász, at least ostensibly, but of course grosstopically present near us were the lines of Ul Qomans entering, the trickle of visitor-badge-wearing Besź emerging into the same physical space they may have walked an hour previously, but now looking around in astonishment at the architecture of Ul Qoma it would have been breach to see before.
Near the Ul Qoma exit is the Temple of Inevitable Light. I had seen photos many times, and though I had unseen it dutifully when we passed I was aware of its sumptuous crenellations, and had almost said to Dyegesztan that I was looking forward to seeing it soon. Now light, foreign light, swallowed me as I emerged, at speed, from Copula Hall. I looked everywhere. From the rear of Dhatt’s car, I stared at the temple. I was, suddenly, rather astonishingly and at last, in the same city as it.
“First time in Ul Qoma?”
“No, but first time in a long time.”
IT WAS YEARS since I had first taken the tests: my passmark was long expired and in a defunct passport. This time I had undergone an accelerated orientation, two days. It had only been me and the various tutors, Ul Qomans from their Besź embassy. Illitan immersion, the reading of various documents of Ul Qoman history and civic geography, key issues of local law. Mostly, as with our own equivalents, the course was concerned to help a Besź citizen through the potentially traumatic fact of actually being in Ul Qoma, unseeing all their familiar environs, where we lived the rest of our life, and seeing the buildings beside us that we had spent decades making sure not to notice.
“Acclimatisation