The Classic Mystery Collection - Arthur Conan Doyle [1476]
"You satirical creature!" she burst out gayly. "If you had lived a dull life at St. Domingo, you would have taken to spoiling paper too. I might really have turned out an artist, if I had been clever and industrious like you. As it was, I learned a little drawing--and got tired of it. I tried modeling in wax--and got tired of it. Who do you think was my teacher? One of our slaves."
"A slave!" Emily exclaimed.
"Yes--a mulatto, if you wish me to be particular; the daughter of an English father and a negro mother. In her young time (at least she said so herself) she was quite a beauty, in her particular style. Her master's favorite; he educated her himself. Besides drawing and painting, and modeling in wax, she could sing and play--all the accomplishments thrown away on a slave! When her owner died, my uncle bought her at the sale of the property."
A word of natural compassion escaped Emily--to Francine's surprise.
"Oh, my dear, you needn't pity her! Sappho (that was her name) fetched a high price, even when she was no longer young. She came to us, by inheritance, with the estates and the rest of it; and took a fancy to me, when she found out I didn't get on well with my father and mother. 'I owe it to my father and mother,' she used to say, 'that I am a slave. When I see affectionate daughters, it wrings my heart.' Sappho was a strange compound. A woman with a white side to her character, and a black side. For weeks together, she would be a civilized being. Then she used to relapse, and become as complete a negress as her mother. At the risk of her life she stole away, on those occasions, into the interior of the island, and looked on, in hiding, at the horrid witchcrafts and idolatries of the blacks; they would have murdered a half-blood, prying into their ceremonies, if they had discovered her. I followed her once, so far as I dared. The frightful yellings and drummings in the darkness of the forests frightened me. The blacks suspected her, and it came to my ears. I gave her the warning that saved her life (I don't know what I should have done without Sappho to amuse me!); and, from that time, I do believe the curious creature loved me. You see I can speak generously even of a slave!"
"I wonder you didn't bring her with you to England," Emily said.
"In the first place," Francine answered, "she was my father's property, not mine. In the second place, she's dead. Poisoned, as the other half-bloods supposed, by some enemy among the blacks. She said herself, she was under a spell!"
"What did she mean?"
Francine was not interested enough in the subject to explain. "Stupid superstition, my dear. The negro side of Sappho was uppermost when she was dying--there is the explanation. Be off with you! I hear the old woman on the stairs. Meet her before she can come in here. My bedroom is my only refuge from Miss Ladd."
On the morning of the last day in the week, Emily had a little talk in private with her old schoolmistress. Miss Ladd listened to what she had to say of Mrs. Ellmother, and did her best to relieve Emily's anxieties. "I think you are mistaken, my child, in supposing that Francine is in earnest. It is her great fault that she is hardly ever in earnest. You can trust to my discretion; leave the rest to your aunt's old servant and to me."
Mrs. Ellmother arrived, punctual to the appointed time. She was shown into Miss Ladd's own room. Francine--ostentatiously resolved to take no personal part in the affair--went for a walk. Emily waited to hear the result.
After a long interval, Miss Ladd returned to the drawing-room, and announced that she had sanctioned the engagement of Mrs. Ellmother.
"I have considered your wishes, in this respect," she said. "It is arranged that a week's notice, on either side, shall end the term of service, after the first month. I cannot feel justified in doing more than that. Mrs. Ellmother is such a respectable woman; she is so well known to you, and she was so long in your aunt's service,